“Tokyo, Ga”, or Tokyo According to Wim Wenders
Abstract
Rainka examines the film director’s trip to Tokyo. Wenders went to Tokyo with a video camera to confront his notions of the places from the film world of Japanese director Yasujiro Ozu with the reality of the year 1983, and to pay tribute to the master. For Wenders, the work of Yasujiro Ozu was a sacred treasure of the cinema.
Keywords:
Wim Wenders, Yasujiro Ozu, TokyoReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Olga Rainkakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Studentka historii sztuki UW, fotograf.
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2005 Olga Rainka
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
