Convex Mirrors and a Cardboard America: Lee Friedlander’s Photos
Abstract
Szerszeń tries to interpret the oeuvre of respected American photographer Lee Friedlander. Friedlander’s photos are difficult to interpret - his art is placed within such diverse traditions as „street photography” or „pop art”. Parmigianino’s 16th century Self-portrait in a Convex Mirror is perhaps the most interesting interpretative context.
Keywords:
Lee Friedlander, pop art, photographyReferences
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Authors
Tomasz Szerszeńkwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences Poland
Absolwent Międzywydziałowych Indywidualnych Studiów Humanistycznych (MISH) na UW, doktorant w IS PAN. Od 2005 członek redakcji kwartalnika „Konteksty”. Przygotowuje dyplom w Szkole Filmowej w Łodzi (kierunek: fotografia).
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Copyright (c) 2006 Tomasz Szerszeń
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