Spectacles of the Cinema in the Spaces of Architecture
Abstract
Waletko examines how film and architecture, coupled with the viewer’s sensitivity, is involved in the building of own time and space, and, similarly, how this interaction helps create a mental (experienced) space despite the essential difference in the way the imagery of film and architecture exists (material in architecture and illusory- in film). In Waletko’s view, as far as individual experience is concerned, film theory adds, among other things, a concept of editing to a dictionary of architectural terms. Waletko also touches on the issue of corporeality (of the author and the audience) that determines relations within our visual space, also discussed are the issues of editing in the camera and inter-frame editing. She explains the category of (real/formal) transparency in architecture and film, and compares film-set movement, framing in architecture and film.
Keywords:
architecture, corporeality, framingReferences
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Authors
Katarzyna Waletkokwartalnik.filmowy@ispan.pl
University of Silesia Poland
Absolwentka filmoznawstwa na Uniwersytecie Śląskim, pracuje w Centrum Sztuki Filmowej w Katowicach.
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Copyright (c) 2006 Katarzyna Waletko
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
