“Reconstruction”
Abstract
This article attempts to interpret Reconstruction, the film made by Danish Christoffer Boe. Rozalski examines the concept of play, citing the classic texts on the issue by Johan Huizinga and Gerardus van deer Leeuw. The film is presented as a special play between the author and a work of art. To search interpretation tropes, Różalski is willing to consider Reconstruction as a cinematic follow-up to an Orphic myth but at the same time shows its strong and weak points of the comparison.
Keywords:
Christoffer Boe, play, Johan Huizinga, Gerardus van deer LeeuwReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Maciej Rożalskikwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences Poland
Absolwent Instytutu Filozofii i Socjologii UW, obecnie na studiach doktoranckich w Instytucie Sztuki PAN. Zajmuje się teatrem, między innymi jako uczestnik akademii Ośrodka Praktyk Teatralnych Gardzienice oraz jako performer teatrów ulicznych.
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2006 Maciej Rożalski

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.