The Dynamics of German Memory
Abstract
Konrad Klejsa in the book Pamięć lat nazizmu w niemieckim filmie fabularnym lat 1946-1965 [The Memory of the Nazi Period in the German Feature Film 1946-1965] (2015) deals with the problems of German post-war cinema confronting Nazism and its contexts. The author takes up the problem in a complex, extended way, going beyond a typical film studies approach, and his thoughts on films are in tune with his historical and political reflection. The connection between multidimensional reflections on the twenty years of German cinema history in the perspective of the Nazi past is the problem of the study of memory, which incorporates Klejsa’s publication into a universal and international research context. His monograph is a reliable, original study of issues so far selectively and insufficiently developed.
Keywords:
memory studies, German cinema, NazismReferences
Klejsa, Konrad, „Pamięć lat nazizmu w niemieckim filmie fabularnym lat 1946-1965” (2015).
DOI: https://doi.org/10.18778/7969-559-1
Google Scholar
Authors
Marta Brzezińska-Pająkkwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Kulturoznawca, adiunkt w Katedrze Studiów Interkulturowych Europy Środkowo-Wschodniej Uniwersytetu Warszawskiego, kierownik Pracowni Badań nad Filmem w Europie Środkowo-Wschodniej, stypendystka Zentrum für Zeithistorische Forschung Potsdam. Autorka artykułów o tematyce filmowej i książki Spektakl – granica – ekran. Mur berliński w filmie niemieckim (2014).
Statistics
Abstract views: 32PDF downloads: 20
License
Copyright (c) 2017 Marta Brzezińska-Pająk
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
