Tim Shephard, Sanna Raninen, Serenella Sessini, Laura Ştefănescu, ‘Music in the Art of Renaissance Italy, 1420‒1540’, London–Turnhout
Dominika Grabiec
Institute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0003-4350-3188
Abstract
The article concerns the book Music in the Art of Renaissance Italy 1420‒1540 by Tim Shephard, Sanna Raninen, Serenella Sessini and Laura Ştefănescu (Brepols 2020), devoted to music iconography and music during the Renaissance in Italy. Its purpose is to present the content of individual chapters to the Polish reader and draw attention to the most important threads and problems raised by the authors, as well as to an interesting methodological approach that allowed the authors to look at already known topics and works from a new perspective and show them in a broad cultural context.
Keywords:
music iconography, Renaissance music, Renaissance art, music in Italy, Italian art, musical instruments, music of angelsReferences
Grabiec, Dominika. Instrumenty muzyczne w scenach Męki Pańskiej w malarstwie Italii od połowy XIII do połowy XV wieku. Warszawa: Instytut Sztuki PAN, 2021.
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Hood, William. Fra Angelico at San Marco. New Haven–London: Yale University Press, 1993.
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Pope-Hennessy, John. Beato Angelico. Firenze: Scala, 1974.
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Russo, Fernando, Antonella Marinelli. La Basilica di Santa Caterina d’Alessandria a Galatina. Galatina: Edizioni Romanae, 2006.
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Authors
Dominika GrabiecInstitute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0003-4350-3188
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