Valentino Fioravanti and the Duet from the Opera ‘Echo W Lesie’ [An Echo in the Woods] by Wojciech Pękalski and Józef Elsner
Jakub Chachulski
Institute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0002-8972-1490
Abstract
One of the six numbers in the one-act opera Echo w lesie [An echo in the woods], previously considered to be the work of Józef Elsner, actually uses music (in a virtually unaltered form) from Valentino Fioravanti’s opera Il furbo contra il furbo (the duet ‘Con un aria schizzinosa’). The borrowing, although acknowledged on the poster for the work’s premiere, has remained unidentified until now. This discovery invalidates some of the theses of my own paper titled ‘Echo w lesie Józefa Elsnera i Wojciecha Pękalskiego – późny pogłos włoskiego intermezza na warszawskiej scenie narodowej?’ [Józef Elsner and Wojciech Pękalski’s An Echo in the Woods: a late reference to Italian intermezzi in the repertoire of Warsaw’s National Theatre?] (Muzyka, 65/2, 2020), but at the same time contributes new arguments in favour of recognising the preserved score of Echo as that used for the work’s premiere.
Keywords:
Joseph Elsner, Valentino Fioravanti, An echo in the woods, Il furbo contro il furbo, opera, intermezzo, opera buffa
Authors
Jakub ChachulskiInstitute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0002-8972-1490
Statistics
Abstract views: 208PDF downloads: 137
License
Copyright (c) 2022 Jakub Chachulski
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Jakub Chachulski, Józef Elsner and Wojciech Pękalski’s 'The Echo in the Wood': A Late Reverberation to Italian Intermezzi in the Repertoire of Warsaw’s National Theatre? , Muzyka: Vol. 65 No. 2 (2020)
- Jakub Chachulski, Genology and Politics. The Specific Qualities of ‘Cud, Czyli Krakowiacy i Górale’ in the Context of Late Eighteenth-Century Operatic Genres , Muzyka: Vol. 66 No. 3 (2021)
- Jakub Chachulski, ‘Bad Taste And Common Exaggeration’. Several remarks on the musical and dramatic structure of Józef Elsner’s Opera Sultan Wampum, as compared with the original libretto by August von Kotzebue , Muzyka: Vol. 64 No. 4 (2019)
- Jakub Chachulski, An Unknown Polonaise from 1821 by Józef Elsner , Muzyka: Vol. 68 No. 2 (2023)
- Jakub Chachulski, Jan Stefani, Wojciech Bogusławski, Cud mniemany, czyli Krakowiacy i górale / The Supposed Miracle or Cracovians and Highlanders, wyd. Adam Tomasz Kukla, Kraków 2019 , Muzyka: Vol. 66 No. 2 (2021)
- Jakub Chachulski, A fragment of a lost singspiel by Józef Elsner , Muzyka: Vol. 64 No. 3 (2019)
- Jakub Chachulski, ‘Tiolemo su’el fagoto’ and Wojciech Bogusławski’s Ditties, or About the Venetian Prototype of the Warsaw ‘Venetienne’ , Muzyka: Vol. 66 No. 1 (2021)
