Ciało biologiczne vs. ciało ekranowe – dynamika napięć w kinie efektów specjalnych

Auerbach, Jonathan. Body Shots: Early Cinema’s Incarnations, Berkeley, University of California Press, 2007.
DOI: https://doi.org/10.1525/9780520941199   Google Scholar

Badiou, Alain. Cinema, Cambridge, Polity Press, 2013.
  Google Scholar

Body Invaders: Panic Sex in America, ed. A. Kroker, M. Kroker, Montreal, New World Perspectives, 1987.
  Google Scholar

Boone, Andrew. R. Snow White and the Seven Dwarfs, „Popular Science”, styczeń 1938, s. 52, http://blog.modernmechanix.com/the-making-of-snow-white-and-the-seven-dwarfs/2/#mmGal
  Google Scholar

Boyd, Nicole, Head Gear – The Evolution of the Helmet Cam, „Video & Filmmaker”, http://videoandfilmmaker.com/wp/index.php/features/head-gear-evolution-helmet-cam/
  Google Scholar

Braidotti, Rosi. Po człowieku, tłum. J. Bednarek, A. Kowalczyk, Warszawa, Wydawnictwo Naukowe PWN, 2016, s. 234.
  Google Scholar

Bukatman, Scott. Matters of Gravity: Special Effects and Supermen in the 20th Century, Durham, Duke University Press, 2003.
DOI: https://doi.org/10.1515/9780822384892   Google Scholar

Burnett, Ron. How Images Think, Cambridge 2005.
DOI: https://doi.org/10.7551/mitpress/3580.001.0001   Google Scholar

Cartwright, Lisa. Screening the Body: Tracing Medicine's Visual Culture, Minneapolis, Univ. of Minnesota Press, 1995, s. 4.
  Google Scholar

Cyborgian Images: The Moving Image between Apparatus and Body, Yearbook of Moving Image Studies, ed. L.C. Grabbe, P. Rupert-Kruse, N. M. Schmitz, Darmstadt, Büchner-Verlag, 2015.
  Google Scholar

Elsaesser, Thomas. “Media archaeology as symptom”, New Review of Film and Television Studies, vol. 14, nr 2, (2016).
DOI: https://doi.org/10.1080/17400309.2016.1146858   Google Scholar

Halberstam, Judith; Livingston, Ira. Introduction w: Posthuman Bodies, red. J. Halberstam, I. Livingston, Bloomington and Indianapolis, Indiana University Press, 1995.
  Google Scholar

Hansen, Mark B. N. Bodies in Code, Bodies in Code: Interfaces with Digital Media, London–New York, Routledge, 2012.
DOI: https://doi.org/10.4324/9780203942390   Google Scholar

Harvey, Graham. Animism: Respecting the Living World, London, Hurst & Co., 2005;
  Google Scholar

Klein, Norman. N. The Vatican to Vegas: a history of special effects, New York, New Press, 2004.
  Google Scholar

Moman, Jay. “Submerged Landscapes of the Postmodern Body: Surface, Text, Commodity”. In: Moving Images: From Edison to the Webcam, ed. J. Fullerton, A. Söderbergh Widding, Bloomington and Indianapolis, Indiana University Press, 2000.
  Google Scholar

Pierson, Michele. Special Effects: Still in Search of Wonder, New York, Columbia University Press, 2012, s.106.
  Google Scholar

Prince, Stephen. True Lies: Perceptual Realism, Digital Images, and Film Theory, „Film Quarterly” 1996, t. 49, nr 3, s. 27-37;
DOI: https://doi.org/10.2307/1213468   Google Scholar

Robertson, Barbara. „Mike, the Talking Head”, „Computer Graphics World” 1988, nr 11(7), http://design.osu.edu/carlson/history/PDFs/Mike.pdf
  Google Scholar

Stelarc, From Psycho-Body to Cyber-Systems: Images as Post-human Entities. In: Virtual Futures: Cyberotics, Technology and Post-human Pragmatism, ed. J. Broadhurst Dixon, E. J. Cassidy, London–New York, Routledge, , 1998.
  Google Scholar

Turnock, Julie A. Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics, New York, Columbia University Press, 2015,
  Google Scholar

Turnock, Julie A. Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics, New York, Columbia University Press, 2014, s.2.
DOI: https://doi.org/10.7312/columbia/9780231163538.001.0001   Google Scholar

W. Raghupathi, Wullianallur; Raghupathi, Viju. “Big data analytics in healthcare: promise and potential”, Health Information Science and Systems, nr 2. (2014).
DOI: https://doi.org/10.1186/2047-2501-2-3   Google Scholar