Tim Shephard, Sanna Raninen, Serenella Sessini, Laura Ştefănescu, ‘Music in the Art of Renaissance Italy, 1420‒1540’, London–Turnhout
Dominika Grabiec
Institute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0003-4350-3188
Abstract
The article concerns the book Music in the Art of Renaissance Italy 1420‒1540 by Tim Shephard, Sanna Raninen, Serenella Sessini and Laura Ştefănescu (Brepols 2020), devoted to music iconography and music during the Renaissance in Italy. Its purpose is to present the content of individual chapters to the Polish reader and draw attention to the most important threads and problems raised by the authors, as well as to an interesting methodological approach that allowed the authors to look at already known topics and works from a new perspective and show them in a broad cultural context.
Keywords:
music iconography, Renaissance music, Renaissance art, music in Italy, Italian art, musical instruments, music of angelsReferences
Grabiec, Dominika. Instrumenty muzyczne w scenach Męki Pańskiej w malarstwie Italii od połowy XIII do połowy XV wieku. Warszawa: Instytut Sztuki PAN, 2021.
Google Scholar
Hood, William. Fra Angelico at San Marco. New Haven–London: Yale University Press, 1993.
Google Scholar
Pope-Hennessy, John. Beato Angelico. Firenze: Scala, 1974.
Google Scholar
Russo, Fernando, Antonella Marinelli. La Basilica di Santa Caterina d’Alessandria a Galatina. Galatina: Edizioni Romanae, 2006.
Google Scholar
Authors
Dominika GrabiecInstitute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0003-4350-3188
Statistics
Abstract views: 205PDF downloads: 67
License
Copyright (c) 2022 Dominika Grabiec
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Dominika Grabiec, The Ruthenian-Byzantine Scenes of the Mocking of Jesus at the Wiślica Collegiate Church and the Holy Trinity Chapel at Lublin’s Royal Castle, in the Light of Research and Interpretations to Date , Muzyka: Vol. 65 No. 2 (2020)
- Dominika Grabiec, Dominican Rosary Processions and the Tradition of Sung Rosaries in the Polish Lands, in the Light of the Processional PL-Kd 75L and Other Eighteenth- and Early Nineteenth-Century Sources , Muzyka: Vol. 67 No. 3 (2022)
- Dominika Grabiec, The Earliest Record of Two Marian Songs: ‘Cesarzewno, królewno niebieska’ and ‘O przenasławniejsza Panno’ Found in a Late Medieval Dominican Manuscript, PL-Wn 8091 III 150 , Muzyka: Vol. 68 No. 2 (2023)
- Dominika Grabiec, The 1798 Polish Translation of Sigismundus Lauxmin’s ‘Ars et praxis musica’ and the Aspects of Plainchant Teaching in the Territory of Seventeenth- and Eighteenth-century Poland , Muzyka: Vol. 66 No. 1 (2021)
- Dominika Grabiec, Musical Imaginations. Interdisciplinary Perspectives on Creativity, Performance, and Perceptions, red. David Hargreaves, Dorothy Miell, Raymond Macdonald, New York 2012 , Muzyka: Vol. 63 No. 2 (2018)
