Vol. 84 No. 2 (2022)

The Crucified Christ in the Cathedral of the Birth of the Virgin Mary in Sandomierz. Tracing Italianisms in the Art of Lesser Poland in the 14th Century

Dobroslawa Horzela

215-251

published: 2022-06-30

PDF

Imago mortis. Dutch Post-mortem Portraits of Children in 16th-19th Centuries

Piotr Oczko

253-310

published: 2022-06-30

pdf (Język polski)

Marble Inventory of Sebastian Sala’s Cracow Workshop from 1653. Remarks on the Sculptor’s Biography and His Last Commissions

Piotr Józef Janowski

311-337

published: 2022-06-30

pdf (Język polski)

Why Did Antonio Corazzi Come to Poland?

Małgorzata Omilanowska-Kiljańczyk

339-366

published: 2022-06-30

pdf (Język polski)

Slovak Sorela. Globality versus Locality of Socialist Realism

Elżbieta Kal

367-392

published: 2022-06-30

pdf (Język polski)

On the Margins of the Article by Tadeusz Zadrożny

Andrzej Mężyński

395-400

published: 2022-06-30

A practical manual for inventors of Polish heritage (not only) abroad

Katarzyna Chrudzimska-Uhera

published: 2022-06-30

Jerzy Kowalczyk (1930-2018)

Stanisław Mossakowski, Wojciech Boberski

411-428

published: 2022-06-30

Vol. 84 No. 2 (2022):

Articles

The Crucified Christ in the Cathedral of the Birth of the Virgin Mary in Sandomierz. Tracing Italianisms in the Art of Lesser Poland in the 14th Century

Imago mortis. Dutch Post-mortem Portraits of Children in 16th-19th Centuries

Marble Inventory of Sebastian Sala’s Cracow Workshop from 1653. Remarks on the Sculptor’s Biography and His Last Commissions

Why Did Antonio Corazzi Come to Poland?

Slovak Sorela. Globality versus Locality of Socialist Realism

Reviews

On the Margins of the Article by Tadeusz Zadrożny

A practical manual for inventors of Polish heritage (not only) abroad

In Memoriam

Jerzy Kowalczyk (1930-2018)

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