Jiří Sehnal, Adam Michna of Otradovice – Composer. Perspectives on Seventeenth-century Sacred Music in Czech Lands, Olomouc 2016
Statistics
Abstract views: 66PDF downloads: 21
License
Copyright (c) 2024 Tomasz Jeż
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Tomasz Jeż, Studies on the reception of Italian music in central-eastern Europe in the 16th and 17th century, ed. Marina Toffetti, Kraków 2018 , Muzyka: Vol. 64 No. 1 (2019)
- Tomasz Jeż, Michaela Žáčková Rossi, The musicians at the Court of Rudolf II. The musical entourage of Rudolf II (1576–1612) reconstructed from the Imperial Accounting Ledgers, Prague 2017 , Muzyka: Vol. 65 No. 1 (2020)
- Tomasz Jeż, The Jesuit music repertoire at the convent of Canonesses regular in Wrocław , Muzyka: Vol. 64 No. 2 (2019)
- Tomasz Jeż, The Music in service of visual communication in Jesuit school drama , Muzyka: Vol. 63 No. 1 (2018)
