A Midsummer Night's Dream by Zapaleni.org at the Opole Lubelskie Penitentiary
Reflections of the Project Coordinator
Łukasz Pruchniak
Zakład Karny w Opolu Lubelskim (Poland)
Abstract
Captain Łukasz Pruchniak, correctional educator of the Opole Lubelskie Penitentiary talks about the work of inmates, officers and Lublin artists on the production of Shakespeare’s Midsummer Night's Dream as part of the Zapaleni.org project, which he coordinated. He recalls his experience during the presentation of the performance in various Polish cities in 2012-2013. Rehearsals and theatre workshops provide opportunities for building interpersonal relationships, and the artistic aspect, though important, seems to be less significant. The author discusses the difficulties that arise from both the attitudes of the prison inmates and the stereotypical antagonism between artists and prison staff. He believes that barring prison staff from participating in art projects may be dangerous. Theatre activities in prisons and pre-trial detention centres should ensure that the inmates do not see the penitentiary staff as tormentors. They are supposed to be the prisoners’ allies in their work on themselves, leading to finding the right direction in life. Art projects realized in prisons are also an effective way of breaking stereotypes of prisoners and officers, which are pervasive in Polish society. Work on A Midsummer Night’s Dream is an example of multidimensional, positive collaboration and proves that the community of prison inmates, staff and artists is not a utopia, and that it can happen. The text ends with insightful reflection on rehabilitation, for which the prison theatre is an important tool. At the same time Pruchniak emphasizes that this is actually socialization, because the majority of prisoners have not been socialized so far.
Keywords:
prison theatre, dramatherapy, theatre in prison, social rehabilitationReferences
Åsbrink, E. (2015). Czuły punkt: Teatr, naziści, zbrodnia. (I. Kowadło-Przedmojska, przekł.). Wołowiec
Google Scholar
Hasiuk, M. (2015). „Okrutnie dziwna strona” świata: Wokół teatru więziennego. Warszawa
Google Scholar
Hasiuk, M. (2014). Ślady źródła: O wybranych realizacjach szekspirowskich w polskim teatrze więziennym. Pamiętnik Teatralny, 3, 145-174
Google Scholar
Patryas, M. (2017). T.LOVE: Potrzebuję wczoraj: Oficjalna biografia 1982-2017. Czerwonak
Google Scholar
Authors
Łukasz PruchniakZakład Karny w Opolu Lubelskim Poland
Statistics
Abstract views: 394PDF downloads: 254
License
Copyright (c) 2019 Łukasz Pruchniak
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Similar Articles
- Anna Chojnacka, More than theatre , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- Agnieszka Bresler, Unlocking and Womenstate – the collective character of theatre work of persons deprived of freedom , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- Sławomir Sidorowicz, Piktogram Theatre Group: Florian Staniewski’s Director’s Theatre , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- Magdalena Hasiuk, Better to build bridges than walls , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- John Bergman, This is Me: The Semiotics of the Mask in the Work of the American Geese Theatre Company , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- Jess Thorpe, This is Not One Story , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
- Ashley Lucas, Justyna Biernat, Theatre as a Strategy for Community Building: The Play Is (and Is Not) the Thing , Pamiętnik Teatralny: Vol. 68 No. 2 (2019)
You may also start an advanced similarity search for this article.