A Previously Unknown Episode from the Stage Career of Antonina Campi: Luigi Cherubini’s Aria ‘Giusto Ciel’ Composed for the Polish Prima Donna (Vienna 1805)

Peer-reviewed

Anna Ryszka-Komarnicka


University of Warsaw (Poland)
https://orcid.org/0000-0002-0847-3668

Abstract

This article discusses the aria ‘Giusto Ciel’, written for Antonina Campi by Luigi Cherubini for the revival of the German-language adaptation of his Lodoïska at the Theater an der Wien (1805). The composer brought out the finest qualities of Campi’s vocal and acting talent (the liveliness of her coloratura soprano, with its high tessitura, her strong and sonorous high range, the recitative segments embedded in the aria), while concealing possible weaknesses (with relatively brief cantabile sections and no cantar di sbalzo technique). While not relinquishing virtuosity, Cherubini subordinated the aria to expressive aims.

Supporting Agencies

Publication financed by the programme of the Minister of Education and Science called ‘National Programme for the Development of the Humanities in 2020-2025’, project number 11H 18 0039 87, funding amount 1,016,462.50 PLN


Keywords:

Antonina Campi née Miklaszewicz, Vienna, Theater an der Wien, Luigi Cherubini, Lodoïska, ‘Giusto Ciel’, Im Grabe versiegen’, ‘Oppresso… agitato…’, Sebastiano Nasolini, l’impasticciamento

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Published
2025-06-27

Cited by

Ryszka-Komarnicka, A. (2025). A Previously Unknown Episode from the Stage Career of Antonina Campi: Luigi Cherubini’s Aria ‘Giusto Ciel’ Composed for the Polish Prima Donna (Vienna 1805). Muzyka, 70(2), 101–121. https://doi.org/10.36744/m.4454

Authors

Anna Ryszka-Komarnicka 

University of Warsaw Poland
https://orcid.org/0000-0002-0847-3668

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