Polonaise in A Minor ‘Farewell to the Fatherland’: Between Legend and History. A Postscript
Abstract
The present text is a response to Wojciech Gurgul’s paper in Muzyka 69 (1/2024), in which he introduces three guitar arrangements of Polonaise in A Minor from the years 1829−37, claiming that the original could not have been composed by Kasper Napoleon Wysocki. While I agree with this part of Gurgul’s conclusion, I also state my reasons for upholding my earlier thesis (expressed in Muzyka 68, 3/2023) that the polonaise cannot be attributed to Michał Kleofas Ogiński. One of the arguments against such attribution is that the Polonaise in A Minor differs in its musical structure from other works in this genre known to have been written by Ogiński.
Keywords:
polonoise, Michał Kleofas Ogiński, Kasper Napoleon Wysocki, Andrei SychraReferences
Gurgul, Wojciech. „O gitarowych opracowaniach poloneza a-moll «Pożegnanie ojczyzny» pochodzących z pierwszej połowy XIX wieku”. Muzyka 69 nr 1 (2024): 119–132.
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Leszczyńska, Agnieszka. „Polonez a-moll «Pożegnanie ojczyzny»: między legendą a rzeczywistością”. Muzyka 68, nr 3 (2023): 3–22.
DOI: https://doi.org/10.36744/m.2072
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Libiszowska, Zofia, Alina Nowak-Romanowicz. „Ogiński Michał Kleofas”. W: Polski Słownik Biograficzny. T. 23, 630−636. Wrocław: Zakład Narodowy im. Ossolińskich, 1978.
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Ogiński, Michał Kleofas. Listy o muzyce. Przekł. Zespół tłumaczy PWM, opr. Tadeusz Strumiłło. Kraków: Polskie Wydawnictwo Muzyczne, 1956.
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