The Experience of Węgajty: A Polylogue
Marzenna Wiśniewska
marzennaw@umk.plNicolaus Copernicus University in Toruń (Poland)
https://orcid.org/0000-0001-7126-2102
Abstract
The article discusses the book Polifonie: Rzecz o pracy twórczej Teatru Węgajty (Polyphonies: The Creative Work of the Węgajty Theatre), edited by Katarzyna Kułakowska and published by the Institute of Art of the Polish Academy of Sciences in 2023. The reviewer analyses the implications of the volume’s research methodologies, structure, and the arrangement of contributions within its sections. She also discusses the main thematic areas and specific problems that come to the fore in the course of reading and are especially interesting in the context of contemporary postulates regarding the writing of the history of theatre and institutional critique.
Keywords:
Węgajty Theatre, Erdmute Sobaszek, Wacław Sobaszek, anthropology of experience, polyphony, countercultureReferences
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Authors
Marzenna Wiśniewskamarzennaw@umk.pl
Nicolaus Copernicus University in Toruń Poland
https://orcid.org/0000-0001-7126-2102
Marzenna Wiśniewska - PhD, Assistant Professor at the Institute of Culture Studies of the Nicolaus Copernicus University in Toruń. Literary manager of the Baj Pomorski Theatre in Toruń in 2001–2011. Head of the research project “Dorman. Open Archive” at the Zbigniew Raszewski Theatre Institute in 2016–2019. Member of the expert committees for theater programs and theater festival juries. Member of the editorial board of the journal Teatr Lalek, published by the Polish Centre of UNIMA. Member of the Polish Association for Theatre Research. Her main academic interests include theater and cultural performances, history and theory of world puppet theater, media in theater, theater for children and youth, theater pedagogy, culture animation, and management. She recently published Archipelag indywidualności: Solowe teatry performerów współdziałających z materią (Toruń, 2022).
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