Transnational Pathways of Eurasian Performance Arts: Introduction
Artur Duda
dudaart@umk.plNicolaus Copernicus University in Toruń (Poland)
https://orcid.org/0000-0002-2522-6888
Abstract
Introduction to essay cluster Transnational Pathways of Eurasian Performance Arts.
Keywords:
theater studies, performance studies, transnationality, Eurasian theaterReferences
Barba, Eugenio. The Moon Rises from the Ganges: My Journey Through Asian Acting Techniques. Translation Judy Barba. New York: Routledge, 2015.
DOI: https://doi.org/10.4324/9781315832814
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Barba, Eugenio, and Nicola Savarese. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. New York: Routledge, 1991.
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Vertovec, Steven. Transnationalism. London: Routledge, 2009. https://doi.org/10.4324/9780203927083.
DOI: https://doi.org/10.4324/9780203927083
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Authors
Artur Dudadudaart@umk.pl
Nicolaus Copernicus University in Toruń Poland
https://orcid.org/0000-0002-2522-6888
Artur Duda - associate professor of Theater and Performance Studies at Nicholas Copernicus University, Toruń, Poland. He is a member of The Polish Society for Theatre Research, Gesellschaft für Theaterwissenschaft (working group Theatergeschichte/Historiographie) and IFTR. Sincce 2018 he collaborates with Shanghai Theatre Acadamy His research interests include diverse aspects of drama and theater theory, the relationship between the text of a drama and its staging, the aesthetics of contemporary theater, especially Polish (history of the theater in Toruń), Lithuanian and German, and performance studies. He published Teatr realności (2006), Performans na żywo jako medium i obiekt mediatyzacji (2011), Reżyserskie strategie inscenizacji dzieła literackiego (2017), Teatr w Toruniu 1904-1944. Opowieść performatyczna (2020).
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