The Study of Intertextuality in Music: The Primary and Secondary Market. On the Book ‘Intertextuality in Music: Dialogic Composition’
Abstract
The papers collected in this publication open up promising research perspectives by introducing the concept of intertextuality in music studies. The key articles deal with the following issues: Lawrence Kramer argues that musical intertextuality depends on quotation, allusion and plagiarism; Nicholas Cook contrasts autonomous with multimedia mentality; Michael Klein relates intertextuality to the formation of new subjectivity; J. Peter Burkholder explains it as a mechanism for renewing traditions. The collection contains both studies based on the theory of intertextuality and others that adapt older methodologies for the needs of the subject.
Keywords:
intertextuality, dialogic quality, composition, transtextualityReferences
Berger, Karol. Potęga smaku. Teoria sztuki, przekł. Anna Tenczyńska. Gdańsk: Słowo/ Obraz Terytoria, 2008.
Google Scholar
Dahlhaus, Carl, Hans Heinrich Eggebrecht. Co to jest muzyka?, przekł. Dorota Lachowska. Warszawa: Państwowy Instytut Wydawniczy, 1992.
Google Scholar
Dahlhaus, Carl. Idea muzyki absolutnej i inne studia, przekł. Antoni Buchner. Kraków: Polskie Wydawnictwo Muzyczne, 1988.
Google Scholar
Dahlhaus, Carl. Podstawy historii muzyki, przekł. Zbigniew Skowron. Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2010.
DOI: https://doi.org/10.31338/uw.9788323527039
Google Scholar
Dahlhaus, Carl. Estetyka muzyki, przekł. Zbigniew Skowron. Warszawa: Wydawnictwa Uniwersytetu Wraszawskiego, 2007.
DOI: https://doi.org/10.31338/uw.9788323529767
Google Scholar
Hatten, Robert S. „The Place of Intertextuality in Music Studies”. American Journal of Semiotics 3 (1985): 69–82.
DOI: https://doi.org/10.5840/ajs1985345
Google Scholar
Intertextuality in Music: Dialogic Composition, red. Violetta Kostka, Paule F. de Castro, William A. Everett. London–New York: Routledge, 2021.
Google Scholar
Karbusický, Vladimir. „Intertextualität in der Musik”. W: Dialog der Texte. Hamburger Kolloquium zur Intertextualität, red. Wolf Schmid, Wolf-Dieter Stempel, 361–398. Wien: Wiener Slawistischer Almanach, 1983.
Google Scholar
Klein, Michael L. Intertextuality in Western Art Music. Bloomington: Indiana University Press, 2005.
DOI: https://doi.org/10.2979/2071.0
Google Scholar
Krzysztof Penderecki – Music in the Intertextual Era: Studies and Interpretation, red. Mieczysław Tomaszewski, Ewa Siemdaj. Kraków: Akademia Muzyczna, 2005.
Google Scholar
Kurpiński, Karol. „O ekspresji muzycznej i naśladowaniu”. Tygodnik Muzyczny i Dramatyczny 2 nr 6 (1821): 21–22.
Google Scholar
Kramer, Lawrence. The Thought of Music. Berkeley: University of California Press, 2016.
DOI: https://doi.org/10.1525/california/9780520288799.001.0001
Google Scholar
Methew, Nicholas. Political Beethoven. New York: Cambridge University Press, 2013.
Google Scholar
The Oxford Handbook of Topic Theory, red. Danuta Mirka. New York: Oxford University Press, 2014.
Google Scholar
The Pop Palimpsest: Intertextuality in Recorded Popular Music, red. Lori Burns, Serge Lacasse. Ann Arbor: University of Michigan Press, 2018.
Google Scholar
Statistics
Abstract views: 18PDF downloads: 13
License
Copyright (c) 2025 Paweł Siechowicz
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
