The End of the Ars Nova in Italy. The San Lorenzo Palimpsest and Related Repertories, eds. Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti, John Nádas, Firenze 2020
Manon Louviot
University of Leuven (Belgium)
Abstract
Book Review of: The End of the Ars Nova in Italy. The San Lorenzo Palimpsest and Related Repertories, eds. Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti, John Nádas, Firenze 2020
Keywords:
Italian music, Ars novaReferences
Atkinson, Niall. The Noisy Renaissance: Sound, Architecture, and Florentine Urban Life, University Park. Pennsylvania: Penn State University Press, 2016.
DOI: https://doi.org/10.1515/9780271077833
Google Scholar
D’Accone, Frank. ‘Una nuova fonte dell’ars nova italiana: il codice San Lorenzo, 2211’. Studi Musicali 13 (1984): 3–32.
Google Scholar
Janke, Andreas and Claire MacDonald. ‘Multispectral Imaging of the San Lorenzo Palimpsest (Florence, Archivio del Capitolo di San Lorenzo, Ms. 2211)’. Manuscript Cultures 7 (2014): 113–25.
Google Scholar
Janke, Andreas and John Nádas, eds. The San Lorenzo Palimpsest: Florence, Archivio del Capitolo di San Lorenzo, Ms. 2211, v. 1, Introductory Study, v. 2, Multispectral Images. Lucca: Libreria Musicale Italiana, 2016.
Google Scholar
Lannutti, Maria Sofia. ‘Combining Romance Philology and Musicology through a New Interdisciplinary Approach: The ERC Advanced Grant Project ArsNova’. Medioevo romanzo 44 (2020): 145–171.
Google Scholar
Authors
Manon LouviotUniversity of Leuven Belgium
Statistics
Abstract views: 149PDF downloads: 107
License
Copyright (c) 2021 Manon Louviot
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in Muzyka should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from issues up to and including 3/2022 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Muzyka, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
