Chopin in the Context of the Intellectual Climate of Italian Risorgimento
Abstract
The political and social context of the intellectual climate in the Italian Peninsula in the first seven decades of the 19th century led to the rise of an autonomous type of Romanticism in Europe, some of whose aspects significantly diverged from both the French and German concepts of music. The author examines what factors decided about the in-depth understanding of Chopin’s works, their artistic value and historical significance, among the Italian audience, within the cultural mosaic of a country struggling for independence and unification.
Keywords:
Frederic Chopin, reception, music aesthetics, Risorgimento, Giuseppe TorelliReferences
Beghelli, Marco. „I trattati di canto. Una novita del Primo Ottocento”. Analecta musicologica. Veröffentlichungen der Musikgeschichtlichen Abteilung des Deutschen Historischen Instituts in Rom 50 (2013): 121–132.
Google Scholar
Belotti, Gastone. „La fortuna in Italia dell’opera di Chopin durante la vita del compositore”. Quadrivium 17, nr 2 (1976): 69–101.
Google Scholar
Bristiger, Michał. Transkrypcje. Pisma i przekłady. Gdańsk: słowo/obraz terytoria, 2010.
Google Scholar
Bruni, Silvia. Recepcja Fryderyka Chopina we Włoszech. Warszawa: Narodowy Instytut Fryderyka Chopina, 2023.
Google Scholar
Chęćka, Anna. Słuch metafizyczny. Warszawa: Narodowy Instytut Fryderyka Chopina, 2020.
Google Scholar
Chopin w krytyce muzycznej (do I wojny światowej). Antologia. Red. Irena Poniatowska. Warszawa: Narodowy Instytut Fryderyka Chopina, 2011.
Google Scholar
Cohen, H. Robert. „On the Dissemination of Information about Music in Nineteenth-century Europe: an Introduction to the Session”. Revista de Musicología 16, nr 3 (1993): 1619–1626.
DOI: https://doi.org/10.2307/20796022
Google Scholar
Della Corte, Andrea. La critica musicale e i critici. Torino: UTET, 1961.
Google Scholar
Della Seta, Fabrizio. Italia e Francia nell’Ottocento. Torino: EDT, 1993 (= Storia della musica 9).
Google Scholar
Duggan, Christopher. La forza del destino. Storia d’Italia dal 1796 a oggi. Roma–Bari: Editori Laterza, 2008.
Google Scholar
Eigeldinger, Jean-Jacques. Chopin. Dusza salonów paryskich 1830–1848. Przekł. Zbigniew Skowron. Warszawa: Narodowy Instytut Fryderyka Chopina, 2019.
Google Scholar
Einstein, Alfred. Muzyka w epoce romantyzmu. Przekł. Michalina i Stefan Jarocińscy. Kraków: PWN, 1965.
Google Scholar
Fubini, Enrico. Historia estetyki muzycznej. Przekł. Zbigniew Skowron. Kraków: Musica Iagellonica, 2015.
Google Scholar
La grande enciclopedia tematica. Milano: Garzanti, 2008.
Google Scholar
Grieco, Imperia. La concezione estetica mazziniana e la filosofia della musica. Napoli: Loffredo, 1970.
Google Scholar
Guanti, Giovanni. „De mortuis nisi boni? Bellini nei necrologi di Berlioz e Mazzini”. W: Vincenzo Bellini et la France, red. Maria Rosa De Luca, Salvatore Enrico Failla, Giuseppe Montemagno, 519–551. Lucca: LIM, 2007.
Google Scholar
Korespondencja Fryderyka Chopina. Red. Zofia Helman, Zbigniew Skowron, Hanna Wróblewska-Straus. T. 2, cz. 1, 1831–1838. Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2017.
Google Scholar
Lipka, Krzysztof. Utopia urzeczywistniona. Metafizyczne podłoże treści dzieła muzycznego. Warszawa: Uniwersytet Muzyczny Fryderyka Chopina, 2009.
Google Scholar
Montanari, Giuliana. „Aspetti stilistici ed espressivi del timbro vocale nei trattati fra ’700 e ’800.”, http://www.maurouberti.it/ma/ma97.I/Montanari.html, dostęp 1 XII 2023.
Google Scholar
Ricci, Franco Carlo. „Aspetti della critica francese contemporanea a Vincenzo Bellini.” W: Vincenzo Bellini et la France, red. Maria Rosa De Luca, Salvatore Enrico Failla, Giuseppe Montemagno, 719–741. Lucca: LIM, 2007.
Google Scholar
Rosen, Charles. La generazione romantica. Red. Guido Zaccagnini. Milano: Adelphi, 2005.
Google Scholar
Samson, Jim. „Chopin. Reception Theory, History, Analysis”. Musica Iagellonica 1 (1995): 91–112.
Google Scholar
Stróżewski, Władysław. Wokół piękna. Szkice z estetyki. Kraków: Universitas, 2002.
Google Scholar
Terenzio, Vincenzo. La musica italiana nell’Ottocento. Milano: Bramante Editrice, 1976.
Google Scholar
Tomaszewski, Mieczysław. Chopin. Człowiek, dzieło, rezonans. Kraków: Polskie Wydawnictwo Muzyczne, 2005.
Google Scholar
Vlad, Roman. „Posizione storica di Chopin”. La Rassegna Musicale 19, nr 4 (1949): 9–18.
Google Scholar
Wdzięk afektu – teksty o tempie rubato. Red. Irena Poniatowska, 135–189. Warszawa: Narodowy Instytut Fryderyka Chopina, 2017.
Google Scholar
Statistics
Abstract views: 192PDF downloads: 28
License
Copyright (c) 2024 Silvia Bruni
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
