The Book of Requiems, 1450–1550. From the Earliest Ages to the Present Period, ed. David J. Burn, Leuven 2022
Abstract
The review of a collection of essays devoted to the most important examples of the Renaissance Requiem edited by David J. Burn. The Book of Requiems, 1450-1550: From the Earliest Ages to the Present Period is the first volume of the 'Book of Requiems' series, which treats the Requiem as a specific genre, with its distinctive features and conventions and historical significance.
Keywords:
requiem, Renaissance polyphony, Johannes Ockeghem, Pierre de la Rue, Antoine Brumel, Dionisius Prioris, Pedro de Escobar, Antoine de Févin, Jean Richafort, Claudin de Sermisy, Missa pro defunctisReferences
Chase, Robert. Dies Irae: A Guide to Requiem Music. Lanham: Scarecrow Press. 2003.
Google Scholar
Chemotti, Antonio. Polyphonic Music pro mortuis in Italy (1550–1650): An Introduction. Lucca: Libreria Musicale Italiana, Warszawa: Instytut Sztuki Polskiej Akademii Nauk, 2020.
Google Scholar
Dies irae: Kroniek ven het Requiem, ed. Pieter Bergé, Jan Christiaens. Leuven: Leuven University Press, 2011.
Google Scholar
Luce, Harold T. The Requiem Mass from its Plainsong Beginnings to 1600. Florida State University 1953 (PhD dissertation).
Google Scholar
Rees, Owen. The Requiem of Tomás Luis De Victoria (1603). Cambridge: Cambridge University Press, 2019.
DOI: https://doi.org/10.1017/9781107294301
Google Scholar
Statistics
Abstract views: 217PDF downloads: 78
License
Copyright (c) 2023 Riccardo Pintus
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.