Wernakularne kontrafaktury w Leuven Chansonnier? „Helas” Carona i anonimowe „Aime qui vouldra”

Alden, Jane. ‘Formes of Intimacy: Miniaturisation and Sociability in the Fifteenth-Century Chansonnier.’ In: The Media of Secular Music in the Medieval and Early Modern Period (1100–1650), eds. Vincenzo Borghetti and Alexandros Maria Hatzikiriakos, 116–138. London: Routledge, 2024.
DOI: https://doi.org/10.4324/9781003194637-8   Google Scholar

Aarburg, Ursula. ‘Melodien zum frühen deutschen Minnesang: Eine kritische Bestandsaufnahme.’ In: Der deutsche Minnesang: Aufsätze zu seiner Erforschung, ed. Hans Fromm, 378–424. Darmstadt: Wissenschaftliche Buchgesellschaft, 1963 (= Wege der Forschung 15).
  Google Scholar

Alexandri Agricola (1446–1506): Opera omnia, ed. Edward R. Lerner. 5 vols. S.l.: American Institute of Musicology, 1961–1970 (= Corpus Mensurabilis Musicae 22).
  Google Scholar

Alden, Jane. Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. Oxford–New York: Oxford University Press, 2010.
  Google Scholar

Ambros, August Wilhelm. Geschichte der Musik. 2nd ed. 5 vols. Breslau: Leuckert, 1880–89.
  Google Scholar

Banks, Jon. The Instrumental Consort Repertory of the Late Fifteenth Century. Aldershot: Ashgate, 2006.
  Google Scholar

Benthem, Jaap van. ‘Die Saganer Stimmbücher (Das Glogauer Liederbuch): Eine unbeachtete Quelle für Johannes Tourout?’ In: The Musical Culture of Silesia before 1742: New Contexts – New Perspectives, eds. Paweł Gancarczyk, Lenka Hlávková-Mráčková and Remigiusz Pośpiech, 71–82. Frankfurt am Main: Peter Lang, 2013.
  Google Scholar

Boorman, Stanley. ‘Limitations and Extensions of Filiation Technique.’ In: Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, ed. by Iain Fenlon, 319–346. Cambridge: Cambridge University Press, 1981.
  Google Scholar

Brown, Howard Mayer. ‘Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance.’ Journal of the American Musicological Society 35, no. 1 (1982): 1–48. doi.org/10.2307/831286.
DOI: https://doi.org/10.2307/831286   Google Scholar

Brown, Howard Mayer. ‘A “New” Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report.’ Musica Disciplina 37 (1983): 171–233.
  Google Scholar

Burn, David J. ‘Central and Peripheral Musical Traditions in the Low Countries in the Earlier Sixteenth Century.’ Journal of the Alamire Foundation 15, no. 2 (2023): 193–199. doi.org/10.1484/J.JAF.5.135280.
DOI: https://doi.org/10.1484/J.JAF.5.135280   Google Scholar

Burn, David J. ‘The Leuven Chansonnier: A New Source for Mid Fifteenth-Century Franco-Flemish Polyphonic Song.’ Journal of the Alamire Foundation 9, no. 1 (2017): 135–158. doi.org/10.1484/J.JAF.5.114052.
DOI: https://doi.org/10.1484/J.JAF.5.114052   Google Scholar

Burn, David J. Leuven Chansonnier: Study. Antwerp: Davidsfonds, 2017 (= Leuven Library of Music in Facsimile 1).
  Google Scholar

Busnoys, Antoine. Collected Works. Works with Texts in the Vernacular, ed. Leeman L. Perkins. 2 vols. New York: The Broude Trust, 2018 (= Masters and Monuments of the Renaissance 5).
  Google Scholar

Chansonnier de Jean de Montchenu (Bibliothèque nationale, Rothschild 2973 [I.5.13]), eds. David Fallows and Geneviève Thibault. Paris: Société française de musicologie, 1991.
  Google Scholar

The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G.XIII.27), ed. Allan W. Atlas. 2 vols. Brooklyn, NY: Institute of Mediaeval Music, 1975–76.
  Google Scholar

The Copenhagen Chansonnier and the ‘Loire Valley’ Chansonniers: An Open Access Project, ed. Peter Woetmann Christoffersen. 2013–25. https://chansonniers.pwch.dk, accessed 7 July 2025.
  Google Scholar

Cumming, Julie. ‘From Variety to Repetition: The Birth of Imitative Polyphony.’ Yearbook of the Alamire Foundation 6 (2008): 21–44.
  Google Scholar

Defaux, Gérard, and Thierry Mantovani. Jehan Marot: Les deux recueils. Geneva: Droz, 1999.
  Google Scholar

Earp, Lawrence. ‘Texting in 15th-Century French Chansons: A Look Ahead from the 14th Century.’ Early Music 19, no. 2 (1991): 194–210. doi.org/10.1093/earlyj/XIX.2.195.
DOI: https://doi.org/10.1093/earlyj/XIX.2.195   Google Scholar

Les faictz et dictz de Jean Molinet, ed. Noël Dupire. 3 vols. Paris: Société des anciens textes français, 1936–39.
  Google Scholar

Falck, Robert. ‘Parody and Contrafactum: A Terminological Clarification.’ The Musical Quarterly 65, no. 1 (1979): 1–21. doi.org/10.1093/mq/LXV.1.1.
DOI: https://doi.org/10.1093/mq/LXV.1.1   Google Scholar

Fallows, David. Art Songs of the Burgundian Era, 1415–1480. Oxford–New York: Oxford University Press, forthcoming.
  Google Scholar

Fallows, David. A Catalogue of Polyphonic Songs, 1415–1480. Oxford: Oxford University Press, 1999.
  Google Scholar

Fallows, David. ‘French as a Courtly Language in Fifteenth-Century Italy: The Musical Evidence.’ Renaissance Studies 3, no. 4 (1989): 429–441.
DOI: https://doi.org/10.1111/j.1477-4658.1989.tb00198.x   Google Scholar

Fallows, David. Josquin. Turnhout: Brepols, 2009.
  Google Scholar

Fallows, David. ‘The Most Popular Songs of the Fifteenth Century.’ In: The Cambridge History of Fifteenth-Century Music, eds. Anna Maria Busse Berger and Jesse Rodin, 787–801. Cambridge: Cambridge University Press, 2015.
DOI: https://doi.org/10.1017/CHO9781139057813.055   Google Scholar

Fallows, David. ‘Texting in the Chansonnier of Jean de Montchenu.’ In: Songs and Musicians in the Fifteenth Century, ed. David Fallows, 1–13. Aldershot: Routledge, 1996.
DOI: https://doi.org/10.4324/9781003557005-13   Google Scholar

Fallows, David Nicholas. ‘Robert Morton’s Songs: A Study of Styles in the Mid-Fifteenth Century.’ PhD diss., University of California, Berkeley, 1978.
  Google Scholar

Fétis, François-Joseph. Biographie universelle des musiciens et bibliographie générale de la musique. 2nd ed. 8 vols. Paris: Firmin-Didot, 1860–65.
  Google Scholar

Florence, BNC, Panciatichi 27: Text and Context, ed. Gioia Filocamo, transl. by Bonnie J. Blackburn. Turnhout: Brepols, 2010 (= Monumenta Musica Europea, Section II, Renaissance 1).
  Google Scholar

A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229, ed. Howard Mayer Brown. Chicago–London: University of Chicago Press, 1983.
  Google Scholar

Gallagher, Sean. ‘Caron and Florence: A New Ascription and the Copying of the Pixérécourt Chansonnier.’ In: ‘Recevez ce mien petit labeur:’ Studies in Renaissance Music in Honour of Ignace Bossuyt, eds. Mark Delaere and Pieter Bergé, 83–92. Leuven: Leuven University Press, 2008.
DOI: https://doi.org/10.2307/j.ctt9qf16q.10   Google Scholar

Gallagher, Sean. ‘Cent mille escus, the Ma maistresse Complex, and the Leuven Chansonnier.’ Journal of the Alamire Foundation 17, no. 1 (2025), forthcoming.
DOI: https://doi.org/10.1484/J.JAF.5.149705   Google Scholar

Gancarczyk, Paweł. ‘Abbot Martin Rinkenberg and the Origins of the “Glogauer Liederbuch.”’ Early Music 37, no. 1 (2009): 27–36. doi.org/10.1093/em/can158.
DOI: https://doi.org/10.1093/em/can158   Google Scholar

Gancarczyk, Paweł. ‘The Former “Glogauer Liederbuch” and Early Partbooks: On the Origin and Function of a New Type of Musical Codex.’ Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 64, no. 1 (2014): 30–46.
  Google Scholar

Gancarczyk, Paweł. ‘Johannes Tourout and the Imperial Hofkantorei ca. 1460.’ Hudební věda 50, nos. 3–4 (2013): 239–257.
  Google Scholar

Gancarczyk, Paweł. Musica scripto: Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Łacińskiej [Musica scripto. Mensural Codices in Eastern Latin Europe in the Second Half of the Fifteenth Century]. Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2001.
  Google Scholar

Gancarczyk, Paweł. ‘Neapolitan Repertory in the Glogauer Liederbuch.’ Musicology Today 1 (2004): 38–48.
  Google Scholar

Gennrich, Friedrich. Die Kontrafaktur im Liedschaffen des Mittelalters. Langen bei Frankfurt: s.n., 1965.
  Google Scholar

Gennrich, Friedrich. ‘Die Musik als Hilfswissenschaft der romanischen Philologie.’ Zeitschrift für romanische Philologie 39 (1919): 330–361.
  Google Scholar

Gennrich, Friedrich. Musikwissenschaft und romanische Philologie: Ein Beitrag zur Bewertung der Musik als Hilfswissenschaft der romanischen Philologie. Halle an der Saale: Max Niemeyer, 1918.
DOI: https://doi.org/10.1515/zrph.1919.39.3.330   Google Scholar

Das Glogauer Liederbuch, ed. Christian Väterlein. Vol. 4. Kassel: Bärenreiter, 1981 (= Das Erbe deutscher Musik 86).
  Google Scholar

Goldberg, Clemens. ‘Reading Laborde: The Significance of Johannes Ockeghem’s Chansons in the Context of the Chansonnier Laborde.’ In: Johannes Ockeghem: Actes du XLe Colloque international d’études humanistes, Tours 3–8 février 1997, ed. Philippe Vendrix, 253–270. Paris: Klincksieck, 1998.
  Google Scholar

Goldberg, Clemens. Das Chansonnier Laborde: Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts. Frankfurt am Main: Peter Lang, 1997 (= Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart 36).
  Google Scholar

Le grand et vrai art de pleine rhétorique de Pierre Fabri, ed. Alexandre Héron. 2 vols. Rouen: Espérance Cagniard, 1889–90.
  Google Scholar

Grassl, Markus. ‘Kontrafaktur – Borrowing – Intertextualität: Stationen der musikwissenschaftlichen Auseinandersetzung.’ In: Kontrafakturen im Kontext, ed. Agnese Pavanello, 25–51. Basel: Schwabe, 2020.
  Google Scholar

Gutiérrez-Denhoff, Martella. Der Wolfenbütteler Chansonnier: Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav. Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wiesbaden: Otto Harrassowitz, 1985 (= Wolfenbütteler Forschungen 29).
  Google Scholar

Kennedy, Duff James. ‘Six chansonniers français: The Central Sources of the Franco-Burgundian Chanson.’ PhD diss., University of California, Santa Barbara, 1987.
  Google Scholar

Kenney, Sylvia. ‘Contrafacta in the Works of Walter Frye.’ Journal of the American Musicological Society 8, no. 3 (1955): 182–202. doi.org/10.2307/829688.
DOI: https://doi.org/10.2307/829688   Google Scholar

Kenney, Sylvia. Walter Frye and the ‘contenance angloise’. New Haven: Yale University Press, 1964.
  Google Scholar

Meconi, Honey. ‘Is Underlay Necessary?’ In: Companion to Medieval and Renaissance Music, eds. Tess Knighton and David Fallows, 284–91. New York: Schirmer Books, 1992.
  Google Scholar

Music from the Pixérécourt Manuscript: A Modern Edition of Twelve Compositions from Paris, Bibliothèque Nationale, Ms. fonds français 15123, ed. Edward Pease. Ann Arbor: University Microfilms, 1960.
  Google Scholar

Ockeghem, Johannes. Collected Works. Vol. 3, Motets and Chansons, eds. Richard Wexler and Dragan Plamenac. Boston: Schirmer, 1992 (= American Musicological Society, Studies and Documents 7).
  Google Scholar

O’Sullivan, Ryan. ‘Musical Transmission Networks and the Leuven Chansonnier.’ Journal of the Alamire Foundation 17, no. 1 (2025), forthcoming.
DOI: https://doi.org/10.1484/J.JAF.5.149704   Google Scholar

O’Sullivan, Ryan. ‘The Leuven Chansonnier: Provenance, Transmission, and Authorships.’ PhD diss., KU Leuven, 2024.
  Google Scholar

O’Sullivan, Ryan. ‘The Leuven Chansonnier’s Early Provenance.’ Journal of the Alamire Foundation 16, no. 2 (2024): 281–311. doi.org/10.1484/J.JAF.5.142078.
DOI: https://doi.org/10.1484/J.JAF.5.142078   Google Scholar

Pease, Edward Joseph. ‘An Edition of the Pixérécourt Manuscript: Paris, Bibliothèque nationale, fonds fr. 15123.’ PhD diss., Indiana University, 1959.
  Google Scholar

Plamenac, Dragan. ‘A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville – I.’ The Musical Quarterly 37, no. 4 (1951): 501–542. doi.org/10.1093/mq/XXXVII.4.501.
DOI: https://doi.org/10.1093/mq/XXXVII.4.501   Google Scholar

Recueil d’arts de seconde rhétorique, ed. Ernest Langlois, Paris: Imprimerie nationale, 1902.
  Google Scholar

Reynolds, Christopher A. ‘The Counterpoint of Allusion in Fifteenth-Century Masses.’ Journal of the American Musicological Society 45, no. 2 (1992): 228–260. doi.org/10.2307/831448.
DOI: https://doi.org/10.2307/831448   Google Scholar

Robertet, Jean. Œuvres, ed. Margaret Zsuppán. Geneva: Droz, 1970.
  Google Scholar

Rifkin, Joshua. ‘Munich, Milan, and a Marian Motet: Dating Josquin’s Ave Maria ... virgo serena.’ Journal of the American Musicological Society 56, no. 2 (2003): 239–350. doi.org/10.1525/jams.2003.56.2.239.
DOI: https://doi.org/10.1525/jams.2003.56.2.239   Google Scholar

Rifkin, Joshua. ‘Busnoys and Italy: The Evidence of Two Songs.’ In: Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, ed. Paula Higgins, 505–571. Oxford: Clarendon Press, 1999.
DOI: https://doi.org/10.1093/oso/9780198164067.003.0020   Google Scholar

Scriptorum de musica medii aevi, ed. Edmond de Coussemaker. 4 vols. Paris: A. Durand et Pedone-Lauriel, 1864–76.
  Google Scholar

Saunders, Suparmi Elizabeth. ‘The Dating of the Trent Codices from their Watermarks: With a Study of the Local Liturgy of Trent in the Fifteenth Century.’ PhD Diss., University of London, 1983.
  Google Scholar

Secular Polyphony 1380–1480, ed. David Fallows. London: Stainer and Bell, 2014 (= Musica Britannica 97).
  Google Scholar

Strohm, Reinhard. ‘Instrumentale Ensemblemusik vor 1500: Das Zeugnis der mitteleuropäischen Quellen.’ In: Musik und Tanz zur Zeit Kaiser Maximilian I. Bericht über die am 21. und 22. Oktober 1989 in Innsbruck abgehaltene Fachtagung, ed. Walter Salmen, 89–106. Innsbruck: Helbling, 1992.
  Google Scholar

Strohm, Reinhard. The Rise of European Music, 1380–1500. Cambridge: Cambridge University Press, 1993.
  Google Scholar

Thomson, James C. ‘The Works of Caron: A Study in Fifteenth-Century Style.’ 2 vols. PhD diss., New York University, 1959.
  Google Scholar

Tinctoris, Johannes. The Art of Counterpoint (Liber de arte contrapuncti), transl. by Albert Seay. s.l.: American Institute of Musicology, 1961 (= Musicological Studies and Documents 5).
  Google Scholar

Tinctoris, Johannes. Proportionale musices; Liber de arte contrapuncti, ed. Gianluca D’Agostino, Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2008.
  Google Scholar

Toffetti, Marina. ‘Contrafacere. Retextualizing Polyphonic Music from the Late Sixteenth to the Seventeenth Century.’ In: Contrafacta: Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, eds. Marina Toffetti and Gabriele Taschetti, 9–39. Kraków: Musica Iagellonica, 2020.
  Google Scholar

Wegman, Rob C. ‘Fremin le Caron at Amiens: New Documents.’ In: Essays on Renaissance Music in Honour of David Fallows: ‘Bon jour, bon mois et bonne estrenne’, eds. Fabrice Fitch and Jacobijn Kiel, 10–32. Woodbridge: Boydell Press, 2011.
  Google Scholar

Wesner, Amanda Zuckerman. ‘The Chansons of Loyset Compère: Authenticity and Stylistic Development.’ PhD diss., Harvard University, 1992.
  Google Scholar

Wexler, Richard. ‘The Complete Works of Johannes Prioris.’ PhD diss., New York University, 1974.
  Google Scholar

Der Wolfenbütteler Chansonnier: Herzog August Bibliothek Codex Guelf. 287 Extrav, ed. Martella Gutiérrez-Denhoff. Mainz: Schott, 1988 (= Musikalische Denkmäler 10).
  Google Scholar

Wolff, Arthur S. ‘The Chansonnier Biblioteca Casanatense 2856: Its History, Purpose, and Music.’ 2 vols. PhD diss., North Texas State University, Denton, 1970.
  Google Scholar

Wright, Peter. ‘Johannes Wiser’s Paper and the Copying of his Manuscripts.’ In: I codici musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca, ed. Peter Wright, 31–53. Trent: Provincia autonoma di Trento, 1996.
  Google Scholar