Against the Light. Some Notes on the Sources of the Hermeneutics of the Image
Ryszard Kasperowicz
r.kasperowicz@uw.edu.plInstitute of Art History, University of Warsaw (Poland)
https://orcid.org/0000-0003-1350-8738
Abstract
The text constitutes an attempt to look at the potential sources from which originates the hermeneutics of the image, one of the most important methodological proposals in contemporary art history, or even within the broadly understood science of the image. In addition to certain traditions in the study of art, the hermeneutics of the image referred, in a more or less overt manner, to various philosophical concepts from within the philosophy of art, taking them as the foundation for, among others, its distinctive concept of the ontology of an artwork, the ways of recognising and describing it, as well as the aims of interpreting and elucidating the image. The article also draws attention to the paradoxical fact of the hermeneutic philosophy of the image being rooted in the currents of Romantic art theory but simultaneously displaying a critical approach to the Romantic legacy.
Keywords:
iconology, criticism of iconology, image, hermeneutics of the image, “strong images”, ontology of the image, “indistinguishability”, Romanticism, art theory, Konrad Fiedler, Georg Wilhelm Friedrich HegelReferences
Abrams, Meyer H. „Kant and the Theology of Arts”. Notre Dame English Journal 13, nr 3 (1981): 75–106.
Google Scholar
Aesthetic and Artistic Autonomy. Redakcja Owen Hulatt. London–New York: Bloomsbury Publishing, 2013.
Google Scholar
Bätschmann, Oskar. Einführung in die kunstgeschichtliche Hermeneutik. Die Auslegung von Bildern. Darmstadt: Wissenschaftliche Buchgesellschaft, 1992.
Google Scholar
Behler, Ernst. Irony and the Discourse of Modernity. Seattle–London: University of Washington Press, 1990.
Google Scholar
Beiser, Frederic C. The Romantic Imperative. The Concept of Early German Romanticism. Cambridge, Mass.–London: Harvard University Press, 2003.
Google Scholar
Boehm, Gottfried. O obrazach i widzeniu. Antologia tekstów. Redakcja Daria Kołacka. Kraków: Universitas, 2014.
Google Scholar
Bungay, Joseph. Beauty and Truth. A Study of Hegel’s Aesthetics. Oxford: Oxford University Press, 1984.
Google Scholar
Burckhardt, Jacob. Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens. Vollständige Neudruck der Urausgabe. Leipzig: A. Kröner, 1925.
Google Scholar
Burckhardt, Jacob. Die Kunst der Betrachtung. Aufsätze und Vorträge. Redakcja Henning Ritter. Köln: DuMont, 1997.
Google Scholar
Elkins, James. Why are our Pictures Puzzles? On the Modern Origins of Pictorial Complexity. New York–London: Routledge, 1999.
Google Scholar
Frank, Manfred. Einführung in de frühromantische Ästhetik. Vorlesungen. Frankfurt am Main: Suhrkamp, 1989.
Google Scholar
Frank, Manfred. Nadchodzący Bóg. Wykłady o nowej mitologii. Tłumaczenie Tadeusz Zatorski. Warszawa: Kronos, 2021.
Google Scholar
Gadamer, Hans-Georg. Prawda i metoda. Zarys hermeneutyki filozoficznej. Tłumaczenie Bogdan Baran. Kraków: Inter Esse, 1993.
Google Scholar
Hofmann, Werner. „Studien zur Kunsttheorie des 20. Jahrhunderts”. Zeitschrift für Kunstgeschichte 18, nr 2 (1955): 135–156.
DOI: https://doi.org/10.2307/1481262
Google Scholar
Imdahl, Max. Giotto. Arenafresken. Ikonographie – Ikonologie – Ikonik. München: Wilhelm Fink, 1996.
Google Scholar
Jähnig, Dieter. „Jacob Burckhardts Bedeutung für die Ästhetik”. Deutsche Vierteljahrsschrift für Literaturwissenschft und Kunst 53 (1979): 173–190.
DOI: https://doi.org/10.1007/BF03376352
Google Scholar
Klein, Jacob. Plato’s Trilogy. Theaetetus, the Sophist, and the Statesman. Chicago–London: University of Chicago Press, 1977.
Google Scholar
Kühne-Bertram, Gudrun. „Der Begriff des «hermeneutischen Begriffs»”. Archiv für Begriffsgeschichte 38 (1995): 236–260.
Google Scholar
Künne, Wolfgang. Conceptions of Truth. Oxford: Oxford University Press, 2005.
Google Scholar
Levinson, Jerrold. Music, Art, & Metaphysics. Essays in Philosophical Aesthetics. Ithaca–London: Cornell University Press, 1990.
Google Scholar
Levy, Evonne. Baroque and the Political Language of Formalism (1845–1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr. Basel: Schwabe Verlag, 2015.
DOI: https://doi.org/10.24894/978-3-7965-3397-6
Google Scholar
Pächt, Otto. „Kritik der Ikonologie (1977)”. W: Bildende Kunst als Zeichensystem. Ikonographie und Ikonologie. Theorien – Entwicklung – Probleme, redakcja Ekkehard Kaemmerling, 353–376. Köln: DuMont, 1994.
Google Scholar
Pangle, Thomas L. Uszlachetnianie demokracji. Wyzwanie epoki postmodernistycznej. Tłumaczenie Marek Klimowicz. Kraków: Znak, 1994.
Google Scholar
Panofsky, Erwin. „Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst”. Logos 21 (1932): 103–119.
Google Scholar
Podro, Michael. „Are Works of Art Provisional or Canonical in Form? Fiedler, Hildebrand, and Woelfflin”. W: Kunst und Kunsttheorie 1400–1900. Vorträge, gehalten anläßlich des 22. Wolfenbütteler Symposions („Kunstgeschichte von Vasari bis Winckelmann”) vom 1. bis 5. Dezember 1987 und des 24. Wolfenbütteler Symposions („Kunstgeschichte seit Winckelmann”) vom 27. November bis 1. Dezember 1988 in der Herzog-August-Bibliothek Wolfenbüttel, redakcja Peter F. Ganz, 405–413. Wiesbaden: Harrasowitz Verlag, 1991.
Google Scholar
Pöggeler, Otto. „Idealismus und Romantik. Bemerkungen zu Ernst Behler und Marie-Elise Zovko”. Hegel-Studien 34 (1999): 135–158.
Google Scholar
Puttfarken, Thomas. The Discovery of Pictorial Composition. Theories of the Visual Order in Painting 1400–1800. New Haven–London: Yale University Press, 2000.
Google Scholar
Rosen, Stanley. Hermeneutyka jako polityka. Tłumaczenie Paweł Maciejko. Warszawa: Fundacja Aletheia, 1998.
Google Scholar
Rosen, Stanley. The Question of Being. A Reversal of Heidegger. New Haven–London: Yale University Press, 1993.
DOI: https://doi.org/10.2307/j.ctt1xp3swp
Google Scholar
Schnädelbach, Herbert. Filozofia w Niemczech 1831–1833. Tłumaczenie Krystyna Krzemieniowa. Warszawa: Wydawnictwo Naukowe PWN, 1992.
Google Scholar
Schnädelbach, Herbert. Hegel. Wprowadzenie. Tłumaczenie Andrzej J. Noras. Warszawa: Oficyna Naukowa, 2006.
Google Scholar
Stammler, Wolfgang. Wort und Bild. Berlin: E. Schmidt, 1962.
Google Scholar
Strohschneider-Kohrs, Ingrid. Die romantische Ironie in Theorie und Gestaltung. Tübingen: M. Niemeyer, 1960.
Google Scholar
Summers, David. „Form, Nineteenth-Century Metaphysics, and the Problem of Art Historical Description”. Critical Inquiry 15, nr 2 (1989): 372–406.
DOI: https://doi.org/10.1086/448489
Google Scholar
Theorie der Romantik. Redakcja Herbert Uerlings. Stuttgart: Reclam, 2009.
Google Scholar
Timm, Hans. „Was die Welt im innersten zusammenhält. Die neuspinozostische Nuklearästhetik der Goethezeit”. W: Ästhetische und religiöse Erfahrungen der Jahrhundertwenden, t. 1: um 1800, redakcja Wolfgang Braungart, Gotthard Fuchs, Manfred Koch, 115–126. Paderborn: Schöningh, 1997.
Google Scholar
Tuveson, Ernest Lee. Imagination as a Means of Grace: Locke ant the Aesthetics of Romanticism. Berkeley–Los Angeles: University of California Press, 1960.
Google Scholar
Veyne, Paul. Foucault rewolucjonizuje historię. Tłumaczenie Tomasz Falkowski. Toruń: Wydawnictwo Adam Marszałek, 2007.
Google Scholar
Volkenandt, Claus. „Hermeneutik”. W: Metzler Lexikon Kunstwissenschaft. Ideen, Methoden, Begriffe, redakcja Ulrich Pfisterer, 167–170. Stuttgart–Weimar: Verlag J. B. Metzler, 2011.
DOI: https://doi.org/10.1007/978-3-476-00331-7_68
Google Scholar
Wiesing, Lambert. The Philosophy of Perception. Phenomenology and Image Theory. Tłumaczenie Nancy Ann Roth. London–New York: Bloomsbury Publishing, 2016.
Google Scholar
Wölfflin, Heinrich. Das Erklären von Kunstwerken. Mit einem Nachwort des Erfassers. Leipzig: Verlag E. A. Seemann, 1940.
Google Scholar
Authors
Ryszard Kasperowiczr.kasperowicz@uw.edu.pl
Institute of Art History, University of Warsaw Poland
https://orcid.org/0000-0003-1350-8738
Ryszard Kasperowicz is a historian of art, an employee of the Institute of Art History at the University of Warsaw (Chair of Art Theory). His research interests include the history of research in art history, as well as issues in the aesthetics and art theory of the 18th and 19th century. He published, among others, the studies Berenson i mistrzowie odrodzenia. Przyczynek do postawy estetycznej Bernarda Berensona [Berenson and the Masters of the Renaissance. A Contribution to the Aesthetic Stance of Bernard Berenson] (2001), Zweite, ideale Schöpfung. Sztuka w myśleniu historycznym Jacoba Burckhardta [Zweite, ideale Schöpfung. Art in the Historical Thinking of Jacob Burckhardt] (2004), Figury zbawienia? Idea „religii sztuki” w wybranych koncepcjach artystycznych XIX stulecia [Figures of Salvation? The Concept of the “Religion of Art” in Chosen Theories of Art in the 19th Century] (2010), as well as translations and critical editions of texts by Johann Joachim Winckelmann, Jacob Burckhardt, Alois Riegl and Aby Warburg. His recent publications are: Aby Warburg, Od Florencji do Nowego Meksyku. Pisma z historii sztuki i kultury [From Florence to New Mexico. Writings in the History of Art and Culture] (2019) and Aby Warburg. Panorama recepcji [Aby Warburg. The Panorama of Reception] (2020).
Statistics
Abstract views: 284PDF downloads: 193
License
Copyright (c) 2023 Biuletyn Historii Sztuki
This work is licensed under a Creative Commons Attribution 4.0 International License.
Most read articles by the same author(s)
- Ryszard Kasperowicz, Concentrated Vision, Perception, Epopteia , Biuletyn Historii Sztuki: Vol. 84 No. 4 (2022)
