The Avant-garde: a Contemporary History

peer-reviewed article

Andrzej Szczerski

andrzej.szczerski@uj.edu.pl
Institute of Art History, Jagiellonian University (Poland)
https://orcid.org/0000-0003-3594-0070

Abstract

The avant-garde is one of the best researched phenomena in Polish art history. This research results in an ongoing verification of the hitherto dominant theses, formulated at the beginning of the 1970s, concerning the scope of the concept of the avant-garde, the link between the radicalism of its artistic experimentation and the slogans of social revolution, or the avant-garde’s one-sided political entanglements. The conceptual scope is broadened to include the participation of avant-garde artists in pro-state activities in the Second Republic of Poland and their interest in the issues of memory and history, as well as in the utopias of the regeneration and causality of art. These new approaches are exemplified by the multifaceted celebrations of the “Year of the Avant-garde” (2017). Consequently, the avant-garde has become not a contestation, but an essential part of the Polish cultural code, and its history is inscribed in the contemporary debate on the models of modernity developed by Polish culture in the 20th century.


Keywords:

avant-garde, Year of the Avant-garde, Formists, regeneration myth, national style, modernity

Art and the National Dream. The Search for Vernacular Expression in the Turn-of-the-Century Design. Redakcja Nicola Gordon Bowe. Dublin: Irish Academic Press, 1993.
  Google Scholar

Berman, Marshall. „Wszystko, co stałe, rozpływa się w powietrzu”. Rzecz o doświadczaniu nowoczesności. Tłumaczenie Marcin Szuster. Kraków: Universitas, 2022.
  Google Scholar

Boyd, Ian. „Chesterton and Poland. The Myth and the Reality”. The Chesterton Review 5, nr 1 (1978): 22–41.
DOI: https://doi.org/10.5840/chesterton1978-79514   Google Scholar

Bray, Suzanne. „G.K. Chesterton and the Impossible Revolution”. Études britanniques contemporaines 56 (2019), https://doi.org/10.4000/ebc.6305, dostęp 2 lipca 2022, http://journals.openedition.org/ebc/6305.
DOI: https://doi.org/10.4000/ebc.6305   Google Scholar

Chesterton, Gilbert Keith. Obrona człowieka. Wybór publicystyki 1909–1920. Tłumaczenie Jaga Rydzewska. Warszawa: Fronda, 2008.
  Google Scholar

Chesterton, Gilbert Keith. Ortodoksja. Romanca o wierze. Tłumaczenie Magda Sobolewska. Warszawa: Fronda, 2004.
  Google Scholar

Gerle, János. „What is Vernacular? or, the Search for the «Mother-Tongue of Forms»”. W: Art and the National Dream. The Search for Vernacular Expression in the Turn-of-the-Century Design, redakcja Nicola Gordon Bowe, 143–154. Dublin: Irish Academic Press, 1993.
  Google Scholar

Griffin, Roger. Modernism and Fascism. The Sense of a Beginning under Mussolini and Hitler. Basingstoke–New York: MacMillan, 2007.
  Google Scholar

Jaśkiewicz, Mateusz. „Koluszki. Niedokończony projekt Strzemińskiego”. Powidoki 1, nr 3 (2020): 186–191.
  Google Scholar

Juszkiewicz, Piotr. „Utopia sprawczości”. W: Nowy początek. Modernizm w II RP, redakcja Piotr Juszkiewicz, Andrzej Szczerski, 39–61. Kraków: Muzeum Narodowe w Krakowie, 2022.
  Google Scholar

Kizwalter, Tomasz. Polska nowoczesność. Genealogia. Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2020.
DOI: https://doi.org/10.31338/uw.9788323546344   Google Scholar

Krzycząc: Polska! Niepodległa 1918. Redakcja Piotr Rypson. Warszawa: Muzeum Narodowe w Warszawie, 2018.
  Google Scholar

Liutkus, Viktoras. „Krótka wiosna awangardy”. W: Wilno, Vilnius, Vilne. Jedno miasto – wiele opowieści, redakcja Giedrė Jankevičiūtė, Andrzej Szczerski, 391–395. Kraków: Muzeum Narodowe w Krakowie, 2023.
  Google Scholar

Luba, Iwona. „Wystawa Nowej Sztuki”. W: Wilno, Vilnius, Vilne. Jedno miasto – wiele opowieści, redakcja Giedrė Jankevičiūtė, Andrzej Szczerski, 383–385. Kraków: Muzeum Narodowe w Krakowie, 2023.
  Google Scholar

Markowska, Anna. Sztuka i rewolucja. Wieloperspektywiczne ujęcie sztuki polskiej zaraz po wojnie. Kraków: Universitas, 2023.
  Google Scholar

Nicolay, Theresa Freda. Tolkien and the Modernists. Literary Responses to the Dark New Days of the 20th Century. Jefferson: MacFarland, 2014.
  Google Scholar

Nowoczesność reglamentowana. Modernizm w PRL. Redakcja Piotr Juszkiewicz, Andrzej Szczerski. Kraków: Muzeum Narodowe w Krakowie, 2023.
  Google Scholar

Nowy początek. Modernizm w II RP. Redakcja Piotr Juszkiewicz, Andrzej Szczerski. Kraków: Muzeum Narodowe w Krakowie, 2022.
  Google Scholar

Oser, Lee. The Return of Christian Humanism. Chesterton, Eliot, Tolkien and the Romance of History. Columbia: University of Missouri Press, 2007.
  Google Scholar

Polskie style narodowe 1890–1918. Redakcja Andrzej Szczerski. Kraków: Muzeum Narodowe w Krakowie, 2021.
  Google Scholar

Porębski, Mieczysław. „Tradycje i awangardy”. W: id., Sztuka a informacja, 171–178. Kraków–Wrocław: Wydawnictwo Literackie, 1986.
  Google Scholar

Sala Formistów. Redakcja Andrzej Szczerski. Warszawa– Kraków: Kancelaria Prezydenta RP, Muzeum Narodowe w Krakowie, 2016.
  Google Scholar

State Formation, Nation Building and Mass Politics in Europe. The Theory of Stein Rokkan. Based on his Collected Work. Redakcja Peter Flora, Stein Kuhnle, Derek Urwin. Oxford: Oxford University Press, 1999.
DOI: https://doi.org/10.1093/oso/9780198280323.001.0001   Google Scholar

Szklane domy. Wizje i praktyki modernizacji społecznych po 1918 roku. Redakcja Joanna Kordjak. Warszawa: Zachęta – Narodowa Galeria Sztuki, 2018.
  Google Scholar

Turowski, Andrzej. Radykalne oko. O Witkacym, Kobro, Strzemińskim, Themersonach, Żarnowerównie i innych twórcach sztuki wzbudzającej niepokój. Fragmenty awangardowego dyskursu, t. 1: Argonauci, t. 2: Żołnierze. Warszawa–Gdańsk: Muzeum Sztuki Nowoczesnej, słowo/obraz terytoria, 2023.
  Google Scholar

Włodarczyk, Wojciech. Sztuka polska. Sztuka XX i początku XXI wieku. Warszawa: Arkady, 2022.
  Google Scholar


Published
2024-10-11

Cited by

Szczerski, A. (2024). The Avant-garde: a Contemporary History. Biuletyn Historii Sztuki, 86(3), 19–32. https://doi.org/10.36744/bhs.2635

Authors

Andrzej Szczerski 
andrzej.szczerski@uj.edu.pl
Institute of Art History, Jagiellonian University Poland
https://orcid.org/0000-0003-3594-0070

Prof. Andrzej Szczerski PhD (habil.) is the head of the Department of Modern Art History at the Institute of Art History of the Jagiellonian University, director of the National Museum in Cracow, member of the Art History Commission at the Polish Academy of Learning and of the Association of Art Historians. He is the author of publications and curator of exhibitions on the subject of art, design and architecture of the 19th and 20th century and contemporary art, the initiator and co-author of a series of exhibitions “4 × nowoczesność” at the National Museum in Cracow (2021–2024).



Statistics

Abstract views: 280
PDF downloads: 171


License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Biuletyn Historii Sztuki, retains full copyright, and agrees to identify the work as first having been published in Biuletyn Historii Sztuki should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 1(2019) to 4(2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in Biuletyn Historii Sztuki, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.