Knot/Knot*: From Metaphorization to Matterphorization of Academic Discourses
Filip Ryba
f.ryba@doctoral.uj.edu.plInstitute of Archeology and Ethnology, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0002-1624-7257
Abstract
This article attempts a critical reflection on the metaphorization of contemporary theoretical discourses, using the example of the metaphor of the knot. The author demonstrates its performativity by dissecting the conventionalized metaphor of the Gordian knot into figures of knot (tied deliberately), knot* (tangled accidentally) and loop, which entail different visions of reality and different logics of its problematisation and conceptualisation. He refers to examples of academic texts (Dipesh Chakrabarty, Donna Haraway, and Elaine Gan and Anna Tsing) in which the knot and the epistemological questions inscribed in this metaphor play an important role. He also shows the implications of reading onto-epistemological projects through the logic of the knot, which he sees in Bruno Latour’s actor-network theory, and the logic of the knot*, which he sees in Graham Harman’s object-oriented ontology. Given the significance of materiality in contemporary academic discourses, the author postulates that the term matterphor, as proposed by Lowell Duckert and developed in various currents of environmental humanities, should be introduced into Polish discourse. He believes that the potential of the new term lies in the fact that it makes it possible to combine the performativity of language and the performativity of matter so as not to efface the emergent and contingent character of the world from academic systems of conceptualising reality.
Keywords:
metaphor, matterphor, knot, new materialism, performativityReferences
Abriszewski, Krzysztof. Poznanie, zbiorowość, polityka: Analiza teorii aktora-sieci Bruno Latoura. Kraków: Universitas, 2012.
Google Scholar
Akrich, Madeleine, and Bruno Latour. „A Summary of a Convenient Vocabulary for the Semiotics of Human and Nonhuman Assemblies”. In Shaping Technology/Building Society: Studies in Sociotechnical Change, edited by Wiebe E. Bijker and John Law, 259–264. Cambridge, MA: MIT Press, 1992.
Google Scholar
Anderson, Camilla E., Teija Rantala, and Pauliina Rautio. „Editorial – Special Issue: Darkness matters”. Reconceptualizing Educational Research Methodology 8, no. 2 (2017): 69. https://doi.org/10.7577/rerm.2229.
DOI: https://doi.org/10.7577/rerm.2229
Google Scholar
Barad, Karen. „Posthumanistyczna performatywność: Ku zrozumieniu, jak materia zaczyna mieć znaczenie”. Tłumaczenie: Joanna Bednarek. W: Teorie wywrotowe: Antologia przekładów, redakcja Agnieszka Gajewska, 323–360. Poznań: Wydawnictwo Poznańskie, 2012.
Google Scholar
Blumenberg, Hans. Paradygmaty dla metaforologii. Tłumaczenie Bogdan Baran. Warszawa: Wydawnictwo Aletheia, 2017.
Google Scholar
Chakrabarty, Dipesh. Prowincjonalizacja Europy: Myśl postkolonialna i różnica historyczna. Tłumaczenie Dorota Kołodziejczyk, Tomasz Dobrogoszcz i Ewa Domańska. Poznań: Wydawnictwo Poznańskie, 2011.
Google Scholar
Cohen, Jeffrey Jerome, and Lowell Duckert, eds. Elemental Ecocriticism: Thinking with Earth, Air, Water, and Fire. Minneapolis: University of Minnesota Press, 2015.
Google Scholar
Cohen, Jeffrey Jerome, and Lowell Duckert. Eleven Principles of Elements. In Cohen and Duckert, Elemental Ecocriticism, 1–26.
Google Scholar
Domańska, Ewa. „Topos tradycyjnego historyka”. W: Historia egzystencjalna: Krytyczne studium narratywizmu i humanistyki zaangażowanej, 98–116. Warszawa: Wydawnictwo Naukowe PWN, 2012.
Google Scholar
Gan, Elaine, and Anna L. Tsing. „How Things Hold: A Diagram of Coordination in a Sotoyama Forest”. Social Analysis 62, no. 4 (2018): 102–145. https://doi.org/10.3167/sa.2018.620406.
DOI: https://doi.org/10.3167/sa.2018.620406
Google Scholar
Gandorfer, Daniela, and Zulaikha Ayub. „Introduction: Matterphorical”. Theory & Event 24, no. 1 (2021): 2–13. http://dx.doi.org/10.1353/tae.2021.0001.
DOI: https://doi.org/10.1353/tae.2021.0001
Google Scholar
Harris, Anne. Pyromena: Fire’s Doing. In Cohen and Duckert, Elemental Ecocriticism, 27–54.
Google Scholar
Haraway, Donna. „Manifest gatunków stowarzyszonych”. Tłumaczenie Joanna Bednarek. W: Teorie wywrotowe: Antologia przekładów, redakcja Agnieszka Gajewska, 241–259. Poznań: Wydawnictwo Poznańskie, 2012.
Google Scholar
Haraway, Donna J. When Species Meet. Minneapolis: University of Minnesota Press, 2008.
Google Scholar
Harman, Graham. Książę sieci: Bruno Latour i metafizyka. Tłumaczenie Grzegorz Czemiel i Marcin Rychter. Warszawa: Fundacja Augusta hrabiego Cieszkowskiego, 2016.
Google Scholar
Harman, Graham. Object-Oriented Ontology: A New Theory of Everything. London: Pelican Books, 2018.
DOI: https://doi.org/10.1093/acrefore/9780190201098.013.997
Google Scholar
Harman, Graham. Traktat o przedmiotach. Tłumaczenie i posłowie Marcin Rychter. Wstęp Szymon Wróbel. Warszawa: Wydawnictwo Naukowe PWN, 2013.
Google Scholar
Jones, Graham M. Magic’s Reason: An Anthropology of Analogy. Chicago: The University of Chicago Press, 2017.
Google Scholar
Johnson, Jim [Bruno Latour]. „Mixing Humans and Nonhumans Together: The Sociology of a Door-Closer”. Social Problems 35, no. 3 (1988): 298–310. https://doi.org/10.2307/800624.
DOI: https://doi.org/10.1525/sp.1988.35.3.03a00070
Google Scholar
Latour, Bruno. Nadzieja Pandory: Eseje o rzeczywistości w studiach nad nauką. Redakcja Krzysztof Abriszewski, tłumaczenie Krzysztof Abriszewski et al. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2013.
Google Scholar
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. New York: Oxford University Press, 2005.
Google Scholar
Latour, Bruno. „Technology Is Society Made Durable”. In A Sociology of Monsters: Essays on Power, Technology and Domination, edited by John Law, 103–131. London: Routledge, 1991.
DOI: https://doi.org/10.1111/j.1467-954X.1990.tb03350.x
Google Scholar
Marzec, Andrzej. Antropocień: Filozofia i estetyka po końcu świata. Warszawa: Wydawnictwo Naukowe PWN, 2021.
Google Scholar
Morton, Timothy. Humankind: Solidarity with Nonhuman People. London: Verso, 2019.
Google Scholar
Schrader, Astrid. „Elemental Ghosts, Haunted Carbon Imaginaries, and Living Matter at the Edge of Life”. In Reactivating Elements: Chemistry, Ecology, Practice, edited by Dimitris Papadopoulos, Maria Puig de la Bellacasa, and Natasha Mayers. Durham, NC: Duke University Press, 2021.
DOI: https://doi.org/10.1215/9781478021674-006
Google Scholar
Wojnowski, Konrad. „Performatywność”. W: Performatyka: Terytoria, redakcja Ewa Bal i Dariusz Kosiński, 177–178. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 2017.
Google Scholar
Authors
Filip Rybaf.ryba@doctoral.uj.edu.pl
Institute of Archeology and Ethnology, Polish Academy of Sciences Poland
https://orcid.org/0000-0002-1624-7257
Filip Ryba – graduate in cultural studies and Asian studies (specialization in the Middle East), he is pursuing an interdisciplinary and interdisciplinary PhD at the Jagiellonian University Doctoral School in the Humanities. An activist, member of the Team of Indisciplined Anthropology, Collegium Invisibile, and Inspireurope branch in Krakow. His research focuses on the modernity of the Middle East in a posthuman and postmodern perspective with reference to postcolonial reflection. He also cooperates with the (pop)cultural journal "Popmoderna". His research as part of the NCN project Po kryzysie klimatycznym. Nieskalowalne strategie przetrwania w fabulacjach spekulatywnych ostatnich dwóch dekad (headed by Mateusz Borowski) examines contemporary Lebanon (in the period from the July War to the present) seen as a fantasy and fiction about (un)possible futures. He is primarily interested in attempts to juxtapose new theoretical perspectives with the post- and neo-colonial reality of the Middle East.
Statistics
Abstract views: 475PDF downloads: 372
License
Copyright (c) 2022 Filip Ryba
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Filip Ryba, Art in Service of Anti-anthropy: The Work of Yazan Halwani , Pamiętnik Teatralny: Vol. 73 No. 3 (2024): Towards the Negantropocene