Barba and Bjørneboe: Letters Full of Dreams
Ewa Partyga
ewa.partyga@ispan.plInstitute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0001-7929-2875
Abstract
The article focuses on selected motifs of the correspondence between Eugenio Barba and Jens Bjørneboe in 1962–1964. At the time, the artists shared a plan to invigorate the Norwegian theatre life by founding a professional journal and an experimental theatre company. One of the most significant impulses in their quest had been Barba’s Polish experience and his reflexion on the history and contemporary development of Polish theatre that he summed up in the essay first published in Vinduet in 1963, which we now republish in Pamiętnik Teatralny in Polish translation.
Keywords:
Eugenio Barba, Jens Bjørneboe, Polish theater after 1945References
Bang-Hansen, Kjetil. Trommer og sang: En samling teaterartikler gjennom tyveår. Oslo: Aschehoug, 1987.
Google Scholar
Barba, Eugenio. Film, który zmienia życie. W: Ziemia popiołu i diamentów: Moje terminowanie u Grotowskiego oraz 26 listów Jerzego Grotowskiego do Eugenia Barby, tłumaczenie Monika Gurgul, 14–16. Wrocław: Ośrodek Badań Twórczości Jerzego Grotowskiego i Poszukiwań Teatralno-Kulturowych, 2001.
Google Scholar
Barba, Eugenio. Spalić dom: Rodowód reżysera. Tłumaczenie Anna Górka. Wrocław: Instytut im. Jerzego Grotowskiego, 2011.
Google Scholar
Bjørneboe, Jens. Om Odin-teatrets adaptasjon av «Fugleeskerne». In Samlede essays: Teater. Oslo: Gyldendal, 1996.
Google Scholar
Kvamme, Elsa. Kjære Jens, kjære Eugenio: Om Jens Bjørneboe, Eugenio Barba og opprørernes teater. Oslo: Pax forlag, 2004.
Google Scholar
Wandrup, Fredrik. Jens Bjørneboe: Mannen, myten og kunsten. Oslo: Gyldendal, 1995.
Google Scholar
Wójtowicz, Agnieszka. «Barba Eugenio tą razą w rozmowie był bardziej powściągliwy»: Eugenio Barba w raportach Służby Bezpieczeństwa. W: Tysiąc i jedna noc: Związki Odin Teatret z Polską, wstęp i redakcja Zofia Dworakowska, opracowanie Monika Blige, 23–34. Wrocław: Instytut im. Jerzego Grotowskiego, 2014.
Google Scholar
Authors
Ewa Partygaewa.partyga@ispan.pl
Institute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0001-7929-2875
Ewa Partyga - Professor of Theater Studies in the Institute of Art, Polish Academy of Sciences, and a lecturer at the Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw. The editor of the series Studia Komparatystyczne Instytutu Sztuki PAN. Teatr. Sztuka. Kultura [“Comparative Studies of the Institute of Art of the Polish Academy of Sciences. Theatre. Art. Culture”] and Editor-in-Chief of Pamiętnik Teatralny. Her research interests include cultural history of drama and theater in comparative perspective (focusing on 19th-21st centuries); Scandinavian drama and theater, with an emphasis on Norwegian drama and theater.
Statistics
Abstract views: 123PDF downloads: 80
License
Copyright (c) 2017 Ewa Partyga
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
