Across and Along
Insignificant People in an Act of Discord
Agnieszka Dauksza
konteksty@ispan.plUniwersytet Jagielloński (Poland)
https://orcid.org/0000-0001-8269-6096
Abstract
The author presents a category of insignificant people whom she conceives to be those who remain in the background, are undistinguished and meaningless as individuals in public order – they constitute “the majority”, and are of little significance in daily life. They remain immersed and entangled in reality upon which they have little impact. They do not feel responsible for the course of events and do not possess of feeling of self-manoeuvrability. The author writes about cultural transformation, the process of individuals distancing themselves from the oppressive model of success, social mobility, and perpetration conceived as planned, determined activity focused on a given target. Scenarios realised in contemporary culture texts focus on the refusal of proactive activity, forms of non-adaptation, and the inability to deal with “life and all its details.” The main theme is mediocrity, daily life that one has to tackle unheroically and without greater chances for success. The “typical” protagonist also undergoes changes and turns into those who “failed”, are weak, do not measure up, are incapable and constantly taken by surprise by something. Within this context the author analyses several “strange” performances of helplessness: acts of grovelling, crawling, swimming, and remaining motionless in public places.
Supporting Agencies
Keywords:
insignificant people, crawling, lying, helplessness, discord, resistance, performanceAuthors
Agnieszka Daukszakonteksty@ispan.pl
Uniwersytet Jagielloński Poland
https://orcid.org/0000-0001-8269-6096
Agnieszka Dauksza – adiunktka na Wydziale Polonistyki UJ. Autorka książek: Jaremianka. Biografia (2019); Afektywny modernizm. Nowoczesna literatura polska w interpretacji relacyjnej (2017); Klub Auschwitz i inne kluby. Rwane opowieści przeżywców (2016, 2021); Kobiety na drodze. Doświadczenie przestrzeni publicznej w literaturze przełomu XIX i XX wieku (2013). Redaktorka antologii, między innymi: Maria Jarema: wymyślić sztukę na nowo (2021) i Świadek: jak się staje, czym jest? (2019). Członkini redakcji „Tekstów Drugich”. Jaremianka. Biografia znalazła się w finale Nagrody Literackiej Nike. Laureatka Nagrody Newsweeka im. Teresy Torańskiej, Górnośląskiej Nagrody Literackiej „Juliusz”, Gryfii – Ogólnopolskiej Nagrody Literackiej dla Autorki, Nagrody im. Adam Włodka.
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