Primavera i Narodziny Wenus Sandro Botticellego: Reprezentacje, reinterpretacje

Joanna Pieńkosz

doi:10.36744/k.2086

Primavera / The Birth of Venus by Sandro Botticelli

Representations, Reinterpretations

Joanna Pieńkosz

konteksty@ispan.pl
Instytut Etnologii i Antropologii Kulturowej, UJ (Poland)

DOI: https://doi.org/10.36744/k.2086

Abstract

The text is composed of an introduction and third chapter of an M.A. dissertation: “Primavera” / “The Birth of Venus” by Sandro Botticelli. Reinterpretations, Ekphrases, Representations (promoter: Prof. Dariusz Czaja), presented at the Institute of Ethnology and Cultural Anthropology, Jagiellonian University, in 2016. The author deals with the development of research focused on the painting, the rediscovery of Botticelli’s works by pre-Raphaelites, and their subsequent representation in culture.

Keywords:

Botticelli, Primavera, Birth of Venus, painting

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Published

2024-02-13

Cited by

Pieńkosz, J. (2024) “Primavera / The Birth of Venus by Sandro Botticelli: Representations, Reinterpretations”, Konteksty, 342(3), pp. 155–166. doi: 10.36744/k.2086.

Authors

Joanna Pieńkosz
konteksty@ispan.pl
Instytut Etnologii i Antropologii Kulturowej, UJ Poland

Joanna Pieńkosz – absolwentka italianistyki na Uniwersytecie Szczecińskim oraz Instytutu Etnologii i Antropologii Kulturowej UJ, stypendystka programu Erasmus we Florencji.