Existing Within and Beyond Time: "Capri-the Island of Fugitives" by Krystian Lupa

Alber, Jan, and Brian Richardson, eds. Unnatural Narratology: Extensions, Revisions, and Challenges. Columbus: Ohio State University, 2020.
DOI: https://doi.org/10.26818/9780814214190   Google Scholar

Alber, Jan, Stefan Iversen, Henrik S. Nielsen, and Brian Richardson. “Unnatural Narratives Unnatural Narratology: Beyond Mimetic Models.” Narrative 18, no. 2 (2010): 113–136.
DOI: https://doi.org/10.1353/nar.0.0042   Google Scholar

Alber, Jan. Unnatural Narrative: Impossible Worlds in Fiction and Drama. Lincoln: University of Nebraska Press, 2016.
DOI: https://doi.org/10.2307/j.ctt1d4v147   Google Scholar

Balme, Christopher. “Surrogate Stages: Theatre, Performance and the Challenge of New Media.” Performance Research 13, no. 2 (2009): 80–91. https://doi.org/10.1080/13528160802639342.
DOI: https://doi.org/10.1080/13528160802639342   Google Scholar

Causey, Matthew. Theatre and Performance in Digital Culture: From Simulation to Embeddedness. London: Routledge, 2006. https://doi.org/10.4324/9780203028223
DOI: https://doi.org/10.4324/9780203028223   Google Scholar

Critchley, Simon. Very Little . . . Almost Nothing. Death, Philosophy, Literature. London: Routledge, 2004.
DOI: https://doi.org/10.4324/9780203462935   Google Scholar

Czardybon, Marcin. “Jeżeli nie wierzycie, to popatrzcie tu, na mój talerz: Prawda konfabulacji w prozie reportażowej Curzia Malapartego.” Tekstualia 47, nr 4 (2016): 93–110.
DOI: https://doi.org/10.5604/01.3001.0013.4300   Google Scholar

Foucault, Michel. Society Must Be Defended: Lectures at the Collège de France 1975–1976. Translated by David Macey, edited by Mauro Bertani and Alessandro Fontana. New York: Picador, 2003.
  Google Scholar

Gruszczyński, Piotr. Ojcobójcy: Młodsi zdolniejsi w teatrze polskim. Warszawa: W.A.B., 2003. https://www.encyklopediateatru.pl/ksiazka/184/ojcobojcy-mlodsi-zdolniejsi-w-teatrze-polskim/strona/1.
  Google Scholar

Kwaśniewska, Monika. „Między wolnością a manipulacją: Sytuacja aktorów i aktorek w Factory 2.” Didaskalia, nr 150 (2019): 2–9.
  Google Scholar

Lehmann, Hans-Thies. Postdramatic Theatre. Translated by Karen Jürs-Munby. New York: Routledge, 2006.
DOI: https://doi.org/10.4324/9780203088104   Google Scholar

Richardson, Brian. “Beyond Story and Discourse: Narrative Time in Postmodern and Nonmimetic Fiction.” In Narrative Dynamics: Essays on Time, Plot, Closure, and Frame, edited by Brian Richardson, 47–63. Columbus: Ohio State University, 2002.
  Google Scholar

Ubersfeld, Anne. Reading Theatre. Translated by Frank Collins. Toronto: University of Toronto Press, 1999.
DOI: https://doi.org/10.3138/9781442679023   Google Scholar

Yacobi, Tamar. “Time Denatured into Meaning: New Worlds and Renewed Themes in the Poetry of Dan Pagis.” Style 22, no. 1: Narrative Theory and Criticism (1988): 93–115.
  Google Scholar