Rethinking the Biography of the Actor and Entertainer: Introduction

Beth Holmgren


Duke University (United States)
https://orcid.org/0000-0003-4194-5804

Abstract

Instroduction to essay cluster on new methods of biographical writing/performing.


Keywords:

biographical writing, theater history, biography

Download


Published
2022-10-03

Cited by

Holmgren, B. (2022) “Rethinking the Biography of the Actor and Entertainer: Introduction”, Pamiętnik Teatralny, 71(3), pp. 11–13. doi: 10.36744/pt.1370.

Authors

Beth Holmgren 

Duke University United States
https://orcid.org/0000-0003-4194-5804

Beth Holmgren - Professor of Polish Studies and Russian Studies at Duke University, has published widely on Polish literature, theater, popular culture, and film; Russian literature, film, and women's studies; and Russian and Polish artists and performers in the North American diaspora. Her scholarship and work in the field have won multiple national awards. Recent scholarship focuses on Polish Jewish cultural history of the interwar period, Polish film from the 1930s until the current day, and 21st-century Polish reportage (often translated as literary journalism). Her book Warsaw is My Country (2018), which is a cultural biography of Krystyna Bierzynska, an acculturated Jewish Varsovian who served as a 16-year-old orderly in the 1944 Warsaw Uprising, was based in large part on her interviews with her subject.  Holmgren's most recent book, co-authored with Professor Helena Goscilo (The Ohio State University), is Polish Cinema Today: A Bold New Era in Film  (August 2021), which explores the reflorescence and great thematic diversification of Polish film in this century. 



Statistics

Abstract views: 287
PDF downloads: 182


License

Copyright (c) 2022 Beth Holmgren

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.

From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.