Thinking with Care: Theater, Archive, Historiography

Magdalena Rewerenda


Adam Mickiewicz University (Poland)
https://orcid.org/0000-0001-9031-2793

Abstract

This article offers a review of the edited volume The Methuen Drama Handbook of Theatre History and Historiography (2020). The reviewer focuses on the ideological and methodological assumptions of the editors while paying particular attention to the inspirational role of the archival and affective turns in humanities. She brings out the issues that accentuate the political and ideological aspects of working with theater archives, especially the power relations latent in historical documents as well as the researcher's multifaceted relationship with the object of study. She also draws attention to the ways in which the position of the historian can be problematized and to the significance of the socio-political contexts of theater in its historiography.


Keywords:

theater, archive, archival turn, theater history, historiography

Borggreen, Gunhild, and Rune Gadu, eds. Performing Archives/Archives of Performance. Copenhagen: Museum Tusculanum Press, 2013.
  Google Scholar

Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: The University of Michigan Press, 2001.
DOI: https://doi.org/10.3998/mpub.17168   Google Scholar

Cochrane, Claire, and Jo Robinson, eds. The Methuen Drama Handbook of Theatre History and Historiography. London: Bloomsbury Publishing House, 2020.
DOI: https://doi.org/10.5040/9781350034327   Google Scholar

Dorney, Kate. “Archives”. Contemporary Theatre Review 23, no. 1 (2013): 8–10. https://doi.org/10.1080/10486801.2013.765101.
DOI: https://doi.org/10.1080/10486801.2013.765101   Google Scholar

Guderian-Czaplińska, Ewa. Koniec krytyki towarzyszącej. Dialog, nr 2 (2020). https://www.dialog-pismo.pl/w-numerach/koniec-krytyki-towarzyszacej.
  Google Scholar

Jones, Amelia, and Adrian Heathfield, eds. Perform, Repeat, Record: Live Art in History. Bristol: Intellect Ltd, 2012.
  Google Scholar

Manoff, Marlene. “Theories of the Archive from across the Disciplines”. Libraries and the Academy 4, no. 1 (2004): 9–25. https://dspace.mit.edu/bitstream/handle/1721.1/35687/4.1manoff.pdf?sequence=1&isAllowed=y.
DOI: https://doi.org/10.1353/pla.2004.0015   Google Scholar

Nelson, Robin. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. London: Palgrave Macmillan, 2013.
DOI: https://doi.org/10.1057/9781137282910   Google Scholar

Rewerenda, Magdalena. Performatywne archiwum teatru: Konsekwencje „Nie-Boskiej komedii. Szczątków” Olivera Frljicia. Toruń: Wydawnictwo Uniwersytetu im. Mikołaja Kopernika, 2020.
  Google Scholar


Published
2021-12-20

Cited by

Rewerenda, M. (2021) “Thinking with Care: Theater, Archive, Historiography”, Pamiętnik Teatralny, 70(4), pp. 195–204. doi: 10.36744/pt.1018.

Authors

Magdalena Rewerenda 

Adam Mickiewicz University Poland
https://orcid.org/0000-0001-9031-2793

Magdalena Rewerenda is Assistant Professor in the Department of Theater and Media Arts at Adam Mickiewicz University in Poznan. She also worked at the Institute of Cultural Studies at the Nicolaus Copernicus University in Toruń and at the Academy of Fine Arts in Wrocław. Her research interests focus on contemporary theater and drama, mainly in the context of the memory studies and the archival turn in the humanities. She is the author of the book Performatywne archiwum teatru. Konsekwencje „Nie-Boskiej komedii. Szczątków” Olivera Frljicia (2020).



Statistics

Abstract views: 423
PDF downloads: 280


License

Copyright (c) 2021 Magdalena Rewerenda

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.

From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.