Integrity as a Foundation/Directive

letter to the editors

Tomasz Kubikowski


The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw (Poland)
https://orcid.org/0000-0002-1825-0097

Abstract

Letter to the editors regarding Małgorzata Sugiera's article published in Pamiętnik Teatralny 71, z. 4 (2022).


Keywords:

performatics, performance theory, performativity

Kubikowski, Tomasz. „Przestrzeń emblematyczna”. Pamiętnik Teatralny 69, z. 4 (2020): 7–38. https://doi.org/10.36744/pt.368.
DOI: https://doi.org/10.36744/pt.368   Google Scholar

Sugiera, Małgorzata. „Performatywność jako postawa/perspektywa: Wstęp”. Pamiętnik Teatralny 71, z. 4 (2022): 13–26. https://doi.org/10.36744/pt.1425.
DOI: https://doi.org/10.36744/pt.1425   Google Scholar


Published
2023-02-15

Cited by

Kubikowski, T. (2023) “Integrity as a Foundation/Directive”, Pamiętnik Teatralny, 72(1), pp. 193–195. doi: 10.36744/pt.1516.

Authors

Tomasz Kubikowski 

The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw Poland
https://orcid.org/0000-0002-1825-0097

Prof. Tomasz Kubikowski, Ph.D. - Professor (full) of Performance studies at the Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw, literary director of Teatr Narodowy. Author of books: Siedem bytów teatralnych (1994), Reguła Nibelunga (2004), Teatralne doświadczenie Wilhelma Meistra(2014), Przeżyć na scenie (2015), Zjadanie psów (2019). Translator of books by Richard Schechner and Jon McKenzie, among others. Together with Edyta Kubikowska, editor of Zbigniew Raszewski's Raptularz (2004), together with Magdalena Raszewska, editor of the seven-volume Historia Teatru Narodowego (2015). Member of the Committee on Art Sciences of the Polish Academy of Sciences (2015-2019) and editorial boards of the journals Performer and Stanislavski Studies, contrubuting editor of New Theatre Quarterly.



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From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.


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