The Archive, the Historian, and the Relationships of Change
Abstract
Archives come into existence through human agency driven by individual and/or collective philosophical and ideological value systems and priorities. As such, they are sites of power and usually controlled access. They continue to grow through the acquisition of more materials and maintain vigilance in the face of the constant threat of damage, decay, and loss. Out of the relationships formed between their material resources and historians, history is made and remade. This article draws on the archive of the Birmingham Repertory Theatre Company, one of the most substantial collections dedicated to a regional theatre in the UK, with which the author has had a particularly intense relationship. In the course of decades of engagement, firstly through doctoral research and then subsequent publications, Rep’s archive produced the author as a theatre historian. The article also problematizes the relationships formed by other individuals: new young academic researchers and volunteering enthusiasts, untroubled by academic restraints, keen to delve and select material which speaks to their preferences. Out of both constituencies of interest, more new histories are made, some of which directly challenge previous assumptions and priorities, provoking new questions. If a key ontological question concerns the nature of reality, which is more real: the archive and its contents or the histories which are made? How do the relationships forged through material archival encounters—relationships which generate feelings of ownership or potentially loss—function historiographically as the historical record is made and remade?
Keywords:
theater archive, theater historiography, Birmingham Repertory Theatre CompanyReferences
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Authors
Claire Cochranec.cochrane@worc.ac.uk
University of Worcester, UK United Kingdom
Claire Cochrane - Professor of Theatre Studies at the University of Worcester in the UK and a former convenor of the IFTR Historiography Working Group and of the TaPRA History and Historiography Working Group. As a historian, her work focuses on the history of British theatre mostly in the twentieth century and now the twenty first century. Her other research interests include Black British and British Asian theatre practitioners and audiences, amateur theatre, and Shakespeare in performance. She authored i.e. Shakespeare and the Birmingham Repertory Theatre: 1913-1929 (1993), The Birmingham Rep: A City’s Theatre 1962-2002 (2003), Twentieth Century British Theatre Industry, Art and Empire (2011), and co-edited (with Jo Robinson) Theatre History and Historiography Ethics, Evidence and Truth (Palgrave Macmillan, 2016) and The Methuen Drama Handbook of Theatre History and Historiography (Bloomsbury, 2020).
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