From Rhythmisation to Operas and Ballets. About the Musical Staging in Jan Dorman’s Theatre
Magdalena Figzał-Janikowska
University of Silesia in Katowice (Poland)
https://orcid.org/0000-0002-6913-2648
Abstract
The paper addresses the issue of musicality in the theatre of Jan Dorman, in particular his last productions, in which music was a starting point for the staging concept. “Musical” thinking about the theatre always had a strong impact on Dorman’s creative process. His first productions included children’s songs and counting rhymes, and this led to a rhythmisation of the text in the subsequent ones. Composing the spectacle along the lines of a musical score, which became the hallmark of Jan Dorman’s theatre, is especially prominent in his last theatre works inspired by larger musical forms, such as concert, ballet and opera. These performances represent a synthesis of various musical tropes and signs that were so characteristic of Dorman’s theatre at various stages of its development.
Supporting Agencies
Keywords:
Jan Dorman, theatre music, rhythmisation, opera, ballet, Karol SzymanowskiReferences
Dorman, J. (1968). Lalka w inscenizacji. Teatr Lalek, nr 1-2, 40-45.
Google Scholar
Dorman, J. (1981). Zabawa dzieci w teatr. Warszawa.
Google Scholar
Dowsilas, I. (1978). Muzyka w Teatrze dzieci Zagłębia [praca magisterska]. Katowice: Akademia Muzyczna w Katowicach.
Google Scholar
Jurkowski, H. (1987). Metoda Teatru Dormana. Teatr Lalek, nr 1-2, 24-31.
Google Scholar
Tomaszewska, E. (2012). Jan Dorman, własną drogą. Katowice.
Google Scholar
Źródła archiwalne:
Google Scholar
Archiwum Jana Dormana: Instytut Teatralny im. Z. Raszewskiego w Warszawie.
Google Scholar
Authors
Magdalena Figzał-JanikowskaUniversity of Silesia in Katowice Poland
https://orcid.org/0000-0002-6913-2648
Statistics
Abstract views: 376PDF downloads: 257
License
Copyright (c) 2019 Magdalena Figzał-Janikowska
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Magdalena Figzał-Janikowska, Władysław Hasior’s Urban Performances , Pamiętnik Teatralny: Vol. 71 No. 1 (2022)
