Withdrawal from the City: Searching For the Source of Valentinas Masalskis’s Creative Work

Ramunė Balevičiūtė


Lithuanian Academy of Music and Theatre (Lithuania)

Agnė Jurgaitytė-Avižinienė


Lithuanian Academy of Music and Theatre (Lithuania)

Abstract

In psychology of creativity, there has been a growing need to explore not only the individual world of the artist, but also the broader context of creative work, such as the influence of the environment on creativity. By combining the methods and insights of theater studies and psychology, this article raises the question of the impact of urban and non-urban environment on the theater artist and explores the phenomenon of “withdrawals” of Lithuanian actor, director, and pedagogue Valentinas Masalskis. The article is based on qualitative research: case study analysis, with in-depth interviews as a method of data collection. The research resulted in selection of four meta-themes that emerged from the interviewing material: “city is bustle,” “to withdraw in order to come back,” “I am no one without others,” “beyond aesthetics,” with the theme of withdrawal as the essential axis. The analysis of these meta-themes in phenomenological perspective revealed how withdrawals help Masalskis to realize his vision of the theater. For Masalskis, withdrawals are the way not only to produce a new performance, but also to go further—to deepen anthropological reflection, to develop pedagogical methods, to discover unusual perspectives, to strengthen ethical principles, and, finally, to search for the source of creativity in a calm and focused manner.


Keywords:

city, environment, theater, creativity, Valentinas Masalskis

Barba, Eugenio. Theatre: Solitude, Craft, Revolt. Aberystwyth: Black Mountain Press, 1996.
  Google Scholar

Bettencourt, Luís M. A., José Lobo, Dirk Helbing, Christian Kühnert, and Geoffrey B. West. “Growth, Innovation, Scaling, and the Pace of Life in Cities.” Proceedings of the National Academy of Sciences 104, no. 17 (2007): 7301–7306. https://doi.org/10.1073/pnas.0610172104.
DOI: https://doi.org/10.1073/pnas.0610172104   Google Scholar

Bettencourt, Luís M. A., José Lobo, and Geoffrey B. West. “Why Are Large Cities Faster? Universal Scaling and Self-Similarity in Urban Organization and Dynamics.” The European Physical Journal B 63 (2008): 285–293. https://doi.org/10.1140/epjb/e2008-00250-6.
DOI: https://doi.org/10.1140/epjb/e2008-00250-6   Google Scholar

Bornstein, Marc H. “The Pace of Life: Revisited.” International Journal of Psychology 14, no. 1/4 (1979): 83–90. https://doi.org/10.1080/00207597908246715.
DOI: https://doi.org/10.1080/00207597908246715   Google Scholar

Brown, Bryan. A History of the Theatre Laboratory. New York: Routledge, 2019.
DOI: https://doi.org/10.4324/9781315563602   Google Scholar

Cheng, Chi-Ying, Jeffrey Sanchez-Burks, and Fiona Lee. “Connecting the Dots Within: Creative Performance and Identity Integration.” Psychological Science 19, no. 11 (2008): 1178–1184. https://doi.org/10.1111/j.1467-9280.2008.02220.x.
DOI: https://doi.org/10.1111/j.1467-9280.2008.02220.x   Google Scholar

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota, 1987.
  Google Scholar

Garner Jr., Stanton B. “Urban Landscapes, Theatrical Encounters: Staging the City.” In Land/Scape/Theater, edited by Elinor Fuchs and Una Chaudhuri, 94–120. Ann Arbor: University of Michigan Press, 2002.
  Google Scholar

Harvie, Jen. Theatre and the City. Basingstoke: Palgrave Macmillan, 2009.
DOI: https://doi.org/10.1007/978-0-230-36467-7   Google Scholar

Klivis, Edgaras. “Perrašomos vietos: topografija, identitetas ir politika šiuolaikiniame Lietuvos teatre.” Meno istorija ir kritika 4 (2008): 171–184. https://hdl.handle.net/20.500.12259/32928.
  Google Scholar

Liuga, Audronis. “Lithuanian theatre in Transition: Names and Generations.” In Contemporary Lithuanian theatre: Names and Performances, edited by Ramunė Marcinkevičiūtė and Ramunė Balevičiūtė, translated by Judita Gliauberzonaitė and Aušra Simanavičiūtė, 9–21. Vilnius: Teatro ir kino informacijos ir edukacijos centras, 2019.
  Google Scholar

Malaev-Babel, Andrei, ed. The Vakhtangov Sourcebook. London: Routledge, 2011.
DOI: https://doi.org/10.4324/9780203852910   Google Scholar

Runco, Mark A. Creativity: Theories and Themes: Research, Development, and Practice. 2nd ed. London: Academic Press, 2014. https://doi.org/10.1016/B978-0-12-410512-6.00015-1.
DOI: https://doi.org/10.1016/B978-0-12-410512-6.00015-1   Google Scholar

Šabasevičienė, Daiva. Valentinas Masalskis: Ieškant teatro. Vilnius: Tyto Alba, 2010.
  Google Scholar

Schino, Mirella. Alchemists of the Stage: Theatre Laboratories in Europe. Translated by Paul Warrington. New York: Routledge, 2013.
  Google Scholar

Shevtsova, Maria. Rediscovering Stanislavsky. Cambridge: Cambridge University Press, 2020.
DOI: https://doi.org/10.1017/9781139151092   Google Scholar

Wilson, Ben. Metropolis: Miesto istorija—nuo senovės iki šiandien. Translated by Tada Juras. Vilnius: Kitos knygos, 2020.
  Google Scholar

Yin, Robert K. Case Study Research and Applications: Design and Methods. 6th ed. Los Angeles: SAGE Publications, 2017.
  Google Scholar

Download


Published
2022-03-18

Cited by

Balevičiūtė, R. and Jurgaitytė-Avižinienė, A. (2022) “Withdrawal from the City: Searching For the Source of Valentinas Masalskis’s Creative Work”, Pamiętnik Teatralny, 71(1), pp. 33–50. doi: 10.36744/pt.837.

Authors

Ramunė Balevičiūtė 

Lithuanian Academy of Music and Theatre Lithuania

Ramunė Balevičiūtė - a theater researcher and critic; Associate Professor of Theatre Studies and the Vice-rector for Art and Research at the Lithuanian Academy of Music and Theatre. She is also the editor-in-chief of the main Lithuanian theater magazine Teatro žurnalas. Areas of her research include acting, artistic research, and theatre for young audiences. Besides academic articles, she has published two monographs: Henrikas Kačinskas (2006) and Rimas Tuminas: Theatre More Real Than Life. Play in Rimas Tuminas’ Theatre (2012). Together with Ramunė Marcinkevičiūtė, she edited the book in English titled Contemporary Lithuanian Theatre. Names and Performances (2019).


Authors

Agnė Jurgaitytė-Avižinienė 

Lithuanian Academy of Music and Theatre Lithuania

Agnė Jurgaitytė-Avižinienė a psychologist and psychotherapist. She is an associate professor at the Lithuanian Academy of Music and Theatre. She is also the member of the editorial board of the journal Existentia: Psychology and Psychotherapy published by the East European Association for Existential Therapy. Areas of her research include creativity psychology, thanatology, and clinical psychology.



Statistics

Abstract views: 299
PDF downloads: 186


License

Copyright (c) 2022 Ramune Baleviciute, Agne Jurgaityte-Aviziniene

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.

From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.