Withdrawal from the City: Searching For the Source of Valentinas Masalskis’s Creative Work
Ramunė Balevičiūtė
Lithuanian Academy of Music and Theatre (Lithuania)
Agnė Jurgaitytė-Avižinienė
Lithuanian Academy of Music and Theatre (Lithuania)
Abstract
In psychology of creativity, there has been a growing need to explore not only the individual world of the artist, but also the broader context of creative work, such as the influence of the environment on creativity. By combining the methods and insights of theater studies and psychology, this article raises the question of the impact of urban and non-urban environment on the theater artist and explores the phenomenon of “withdrawals” of Lithuanian actor, director, and pedagogue Valentinas Masalskis. The article is based on qualitative research: case study analysis, with in-depth interviews as a method of data collection. The research resulted in selection of four meta-themes that emerged from the interviewing material: “city is bustle,” “to withdraw in order to come back,” “I am no one without others,” “beyond aesthetics,” with the theme of withdrawal as the essential axis. The analysis of these meta-themes in phenomenological perspective revealed how withdrawals help Masalskis to realize his vision of the theater. For Masalskis, withdrawals are the way not only to produce a new performance, but also to go further—to deepen anthropological reflection, to develop pedagogical methods, to discover unusual perspectives, to strengthen ethical principles, and, finally, to search for the source of creativity in a calm and focused manner.
Keywords:
city, environment, theater, creativity, Valentinas MasalskisReferences
Barba, Eugenio. Theatre: Solitude, Craft, Revolt. Aberystwyth: Black Mountain Press, 1996.
Google Scholar
Bettencourt, Luís M. A., José Lobo, Dirk Helbing, Christian Kühnert, and Geoffrey B. West. “Growth, Innovation, Scaling, and the Pace of Life in Cities.” Proceedings of the National Academy of Sciences 104, no. 17 (2007): 7301–7306. https://doi.org/10.1073/pnas.0610172104.
DOI: https://doi.org/10.1073/pnas.0610172104
Google Scholar
Bettencourt, Luís M. A., José Lobo, and Geoffrey B. West. “Why Are Large Cities Faster? Universal Scaling and Self-Similarity in Urban Organization and Dynamics.” The European Physical Journal B 63 (2008): 285–293. https://doi.org/10.1140/epjb/e2008-00250-6.
DOI: https://doi.org/10.1140/epjb/e2008-00250-6
Google Scholar
Bornstein, Marc H. “The Pace of Life: Revisited.” International Journal of Psychology 14, no. 1/4 (1979): 83–90. https://doi.org/10.1080/00207597908246715.
DOI: https://doi.org/10.1080/00207597908246715
Google Scholar
Brown, Bryan. A History of the Theatre Laboratory. New York: Routledge, 2019.
DOI: https://doi.org/10.4324/9781315563602
Google Scholar
Cheng, Chi-Ying, Jeffrey Sanchez-Burks, and Fiona Lee. “Connecting the Dots Within: Creative Performance and Identity Integration.” Psychological Science 19, no. 11 (2008): 1178–1184. https://doi.org/10.1111/j.1467-9280.2008.02220.x.
DOI: https://doi.org/10.1111/j.1467-9280.2008.02220.x
Google Scholar
Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota, 1987.
Google Scholar
Garner Jr., Stanton B. “Urban Landscapes, Theatrical Encounters: Staging the City.” In Land/Scape/Theater, edited by Elinor Fuchs and Una Chaudhuri, 94–120. Ann Arbor: University of Michigan Press, 2002.
Google Scholar
Harvie, Jen. Theatre and the City. Basingstoke: Palgrave Macmillan, 2009.
DOI: https://doi.org/10.1007/978-0-230-36467-7
Google Scholar
Klivis, Edgaras. “Perrašomos vietos: topografija, identitetas ir politika šiuolaikiniame Lietuvos teatre.” Meno istorija ir kritika 4 (2008): 171–184. https://hdl.handle.net/20.500.12259/32928.
Google Scholar
Liuga, Audronis. “Lithuanian theatre in Transition: Names and Generations.” In Contemporary Lithuanian theatre: Names and Performances, edited by Ramunė Marcinkevičiūtė and Ramunė Balevičiūtė, translated by Judita Gliauberzonaitė and Aušra Simanavičiūtė, 9–21. Vilnius: Teatro ir kino informacijos ir edukacijos centras, 2019.
Google Scholar
Malaev-Babel, Andrei, ed. The Vakhtangov Sourcebook. London: Routledge, 2011.
DOI: https://doi.org/10.4324/9780203852910
Google Scholar
Runco, Mark A. Creativity: Theories and Themes: Research, Development, and Practice. 2nd ed. London: Academic Press, 2014. https://doi.org/10.1016/B978-0-12-410512-6.00015-1.
DOI: https://doi.org/10.1016/B978-0-12-410512-6.00015-1
Google Scholar
Šabasevičienė, Daiva. Valentinas Masalskis: Ieškant teatro. Vilnius: Tyto Alba, 2010.
Google Scholar
Schino, Mirella. Alchemists of the Stage: Theatre Laboratories in Europe. Translated by Paul Warrington. New York: Routledge, 2013.
Google Scholar
Shevtsova, Maria. Rediscovering Stanislavsky. Cambridge: Cambridge University Press, 2020.
DOI: https://doi.org/10.1017/9781139151092
Google Scholar
Wilson, Ben. Metropolis: Miesto istorija—nuo senovės iki šiandien. Translated by Tada Juras. Vilnius: Kitos knygos, 2020.
Google Scholar
Yin, Robert K. Case Study Research and Applications: Design and Methods. 6th ed. Los Angeles: SAGE Publications, 2017.
Google Scholar
Authors
Ramunė BalevičiūtėLithuanian Academy of Music and Theatre Lithuania
Ramunė Balevičiūtė - a theater researcher and critic; Associate Professor of Theatre Studies and the Vice-rector for Art and Research at the Lithuanian Academy of Music and Theatre. She is also the editor-in-chief of the main Lithuanian theater magazine Teatro žurnalas. Areas of her research include acting, artistic research, and theatre for young audiences. Besides academic articles, she has published two monographs: Henrikas Kačinskas (2006) and Rimas Tuminas: Theatre More Real Than Life. Play in Rimas Tuminas’ Theatre (2012). Together with Ramunė Marcinkevičiūtė, she edited the book in English titled Contemporary Lithuanian Theatre. Names and Performances (2019).
Authors
Agnė Jurgaitytė-AvižinienėLithuanian Academy of Music and Theatre Lithuania
Agnė Jurgaitytė-Avižinienė a psychologist and psychotherapist. She is an associate professor at the Lithuanian Academy of Music and Theatre. She is also the member of the editorial board of the journal Existentia: Psychology and Psychotherapy published by the East European Association for Existential Therapy. Areas of her research include creativity psychology, thanatology, and clinical psychology.
Statistics
Abstract views: 299PDF downloads: 186
License
Copyright (c) 2022 Ramune Baleviciute, Agne Jurgaityte-Aviziniene
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.