Individual and Community Crises in a Pandemic: The Social Theater of Ambulatory Care
Katarzyna Kułakowska
katarzyna.kulakowska@ispan.plInstitute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0002-3673-4394
Katarzyna Kalinowska
The Educational Research Institute (Poland)
http://orcid.org/0000-0003-2657-6107
Olga Drygas
Institute of Art, Polish Academy of Sciences (Poland)
http://orcid.org/0000-0003-0850-4193
Michał Bargielski
(Poland)
https://orcid.org/0000-0001-7448-4923
Abstract
This article offers a preliminary diagnosis of Polish social theaters with regard to the crises of the individual and the community during the Covid-19 pandemic. The interpretive framework is Lidia Zamkow’s concept of the theater of ambulatory care, which allows us to locate the activity of social theaters in the context of Michel de Certeau’s tactics and Jack Halberstam’s low theories. The theater of ambulatory care recognizes the needs of individuals and communities in a pandemic crisis and reacts to them in different ways. We distinguish and describe three ideal types of diagnoses and the resulting treatments that theaters of ambulatory care use in a pandemic: therapy, conjuring, and revolution. The article is based on materials collected during two studies: a funded research project on the anthropological and social activity of the Węgajty Theater, carried out at the Institute of Art of the Polish Academy of Sciences, and a survey among theater staff during the pandemic, initiated by the Zbigniew Raszewski Theater Institute in Warsaw. (Trans. K. Kułakowska)
Supporting Agencies
Keywords:
social theater, pandemic, crisis, individual, sociaty, community, low theory, theater of ambulatory careReferences
Brach-Czaina, J. (2018). Szczeliny istnienia. Warszawa: Dowody na istnienie.
Google Scholar
Celan, P. (2003). Collected Prose (R. Waldrop, trans.). New York: Routledge.
Google Scholar
Czyżewski, K. (2008). Jestem człowiekiem małych liczb: interview by Grzegorz Godlewski. Nowe Książki, 11.
Google Scholar
de Certeau, M. (1988). The Practice of Everyday Life (S. Rendall, trans.). Berkeley: University of California Press.
Google Scholar
Dudzik, W. (1995). O teatrze alternatywnym. Polska Sztuka Ludowa: Konteksty, 2, 74-75.
Google Scholar
Foucault, M. (1977). Language, Counter-memory, Practice: Selected Essays and Interviews. (D. F. Bouchard & S. Simon, trans.). Ithaca: Cornell University Press.
Google Scholar
Foucault, M. (1980). Power/Knowledge: Selected Interviews and Other Writings, 1972–1977. New York: Pantheon Books.
Google Scholar
Galusek, Ł., & Sieroń-Galusek, D. (2012). Pogranicze: O odradzaniu się kultury. Wrocław: Kolegium Europy Środkowowschodniej.
Google Scholar
Geertz, C. (1983). Local Knowledge: Further Essays in Interpretive Anthropology. New York: Basic Books.
Google Scholar
Halberstam, J. (2011). The Queer Art of Failure. Durham: Duke University Press.
DOI: https://doi.org/10.1215/9780822394358
Google Scholar
Iwasiów, I. (2020). Czerwone szpilki nie znikną: interview by Violetta Szostak. Wysokie Obcasy, 32.
Google Scholar
Jawłowska, A. (1975). Drogi kontrkultury. Warszawa: PIW.
Google Scholar
Kosiński, D. (2010). Performing Poland: Rethinking Histories and Theatres (P. Vickers, trans.). Cardiff: Performance Research Books.
Google Scholar
Krakowska, J. (2016). PRL: Przedstawienia. Warszawa: PIW, Instytut Teatralny im. Z. Raszewskiego, & IS PAN.
Google Scholar
Lévi-Strauss, C. (1966). The Savage Mind (G. Weidenfield, trans.). Chicago: University of Chicago Press..
Google Scholar
Mościcki, P. (2008). Polityka teatru: Eseje o sztuce angażującej. Warszawa: Wydawnictwo Krytyki Politycznej.
Google Scholar
Puzyna, K. (1974). Syntezy za trzy grosze. Warszawa: PIW.
Google Scholar
Schininá, G. (2009). Like a Ham in a Temperance Hotel: Healing, Participation and Education in Social Theatre. In: S. Jennings (ed.), Dramatherapy and Social Theatre: Necessary Dialogues (pp. 37-48). London-New York: Rutledge.
Google Scholar
Solnit, R. (2020). The Impossible Has Already Happened: What Coronavirus Can Teach Us About Hope. Guardian, April 7.
Google Scholar
Taylor, P. (2003). Applied Theatre: Creating Transformative Encounters in the Community. Portsmouth: Heinemann.
Google Scholar
Tokarczuk, O. (2019). The Tender Narrator. December 7, 2019, https://www.nobelprize.org/prizes/literature/2018/tokarczuk/104871-lecture-english/
Google Scholar
Weber, M. (2011). Objectivity’ in Social Sciences and Social Policy. In: E.A. Shils & Henry A. Finch (trans., ed.). Methodology of Social Sciences (p. 49-112). New Brunswick: Transaction Publishers.
Google Scholar
Yalom, I. D. (2012). Love’s Executioner and Other Tales of Psychotherapy. New York: Perseus Books.
Google Scholar
Zamkow, L. (1971). Nie uznaję teatru bez tekstu: interview by Krzysztof Miklaszewski. Scena, 1.
Google Scholar
Zamkow, L.(1968). Moje mądre przyjemności. Polska, 3.
Google Scholar
Authors
Katarzyna Kułakowskakatarzyna.kulakowska@ispan.pl
Institute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0002-3673-4394
dr Katarzyna Kulakowska – cultural scientist, cultural anthropologist, social researcher. Currently as an assistant professor at the Institute of Art at the Polish Academy of Sciences, she studies the working method of the Węgajty Theater on the basis of the experiences of its participants. She has published two monographies: Miasto płci (Gender City. The Lover’s Discourse of Maria Peszek, Warszawa 2010) and Błaźnice. Kobiety kontrkultury teatralnej w Polsce (Jestresses. The Women of Polish Theatrical Counterculture, Warszawa 2017). Her research interests include the specificity of female experience in the Polish theatre; gender, body and sexuality. She is working on integrating feminist perspectives into the Polish theatre studies.
Authors
Katarzyna KalinowskaThe Educational Research Institute Poland
http://orcid.org/0000-0003-2657-6107
dr Katarzyna Kalinowska – socjolożka. Obecnie adiunktka w Instytucie Badań Edukacyjnych. Zajmuje się socjologią emocji i miłości, metodologią jakościową oraz etyką badań, jest zaangażowana we wspieranie rozwoju pedagogiki teatru w Polsce. Autorka książki Praktyki flirtu i podrywu. Studium z mikrosocjologii emocji (2018).
Authors
Olga DrygasInstitute of Art, Polish Academy of Sciences Poland
http://orcid.org/0000-0003-0850-4193
mgr Olga Drygas – teatrolożka. Obecnie doktorantka w Instytucie Sztuki PAN, gdzie pod kierunkiem prof. zw. dr hab. Krystyny Duniec przygotowuje rozprawę Lidia Zamkow. W stronę morfowania historii polskiego teatru. Kuratorka i koordynatorka projektów międzynarodowych w Nowym Teatrze w Warszawie, dramaturżka.
Authors
Michał BargielskiPoland
https://orcid.org/0000-0001-7448-4923
mgr Michał Bargielski – socjolog zainteresowany ewaluacją programów publicznych i badaniem społeczności lokalnych. Ewaluator i badacz skoncentrowany na problematyce rozwoju lokalnego, polityce społecznej i animacji kultury.
Statistics
Abstract views: 697PDF downloads: 296
License
Copyright (c) 2020 Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
