Three Death Records (of Franciszek Bohomolec, Tadeusz Lipski, and Józef Bielawski)

PUBLISHED ONLINE 2023

Patryk Kencki (ed.)


Institute of Art, Polish Academy of Sciences (Poland)

Abstract

Józef Bielawski, Franciszek Bohomolec, and Tadeusz Lipski were the first Polish professional comedy writers. In a strange twist of history, the places where all three were buried are not marked by tombstones. The death records published here are, therefore, a chance to remind us about the three individuals that were so important for Polish theater. The discovery of Bielawski’s death record is particularly important, because the date of his death has not been known so far. The documents are prefaced with a short introduction that discusses the posthumous history of the three comedy writers.


Keywords:

Franciszek Bohomolec, Tadeusz Lipski, Józef Bielawski, death record

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Źródła archiwalne: Archiwum Państwowe m.st. Warszawy, zespół 189/D: Akta stanu cywilnego gminy (cyrkułu) VII miasta Warszawy, jednostka 105, akt nr 451, k. 139 v. – 140; Księgi metrykalne parafii Świętego Krzyża, jednostka 515: Liber Mortuorum 1775–1801, k. 180 v; Archiwum Archidiecezjalne Warszawskie, zespół 9233/D: Księgi metrykalne parafii rzymskokatolickiej Św. Jana Chrzciciela w Warszawie, jednostka 504: Księga zgonów 1780–96 r.
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Published
2017-10-15

Cited by

Kencki (ed.), P. (2017) “Three Death Records (of Franciszek Bohomolec, Tadeusz Lipski, and Józef Bielawski)”, Pamiętnik Teatralny, 66(3), pp. 129–134. doi: 10.36744/pt.2120.

Authors

Patryk Kencki (ed.) 

Institute of Art, Polish Academy of Sciences Poland

Patryk Kencki - PhD, Assistant Professor of Theater Studies at the Institute of Art, Polish Academy of Sciences, lecturer at the Acting Department of the Theatre Academy in Warsaw. He conducts research on the history of Old Polish theater, with particular emphasis on the biblical tradition and the reception of French comedies. He  published Inspiracje starotestamentowe w dramacie polskiego renesansu (1545-1625) (Warszawa, 2012).



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Copyright (c) 2017 Patryk Kencki

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