Buddah Still Works— the Work on Oneself Never Ends: Essay on Grotowski

non peer-reviewed essay

Gioacchino Palumbo

gioacchinopalumbo@gmail.com
Academy of Fine Arts of Catania (Italy)

Giuseppe G. Condorelli


Independent scholar, Misterbianco (Italy)

Abstract

This essay uses the personal recollections of Italian director Gioacchino Palumbo, including the experience of viewing of Apocalypsis cum figuris as well as some personal encounters with Jerzy Grotowski, to present a subjective account of selected aspects of Grotowski’s theatrical and non-theatrical practices, with an emphasis on understanding theatre as a lifelong work on oneself. Palumbo highlights those aspects of Grotowski’s work and quotations from his statements and writings that have contributed to his own development as a theatre artist. Particularly interested in Grotowski’s attitude to diverse sources of inspiration, Palumbo extensively discusses Grotowski’s interview on Gurdjieff, considering it as a representative example of artist’s approach to cultural phenomena that influenced him. The essay is preceded by an introduction in which Giuseppe G. Condorelli presents the original theatrical work of Palumbo, who has been running his own theatre laboratory in Catania since 1981.


Keywords:

Jerzy Grotowski, George Gurdjieff, cultural mobility, Italian theater

Banu, Georges, and Alessandro Martinez, eds. Gli anni di Peter Brook: L’opera di un maestro raccontata al Premio Europa per il teatro. Milano: Ubulibri, 1990.
  Google Scholar

Barba, Eugenio. “The Kathakali Theatre.” Translated by Simonne Sanzenbach. The Tulane Drama Review 11, no. 4 (1967): 37–50. https://doi.org/10.2307/1125137.
DOI: https://doi.org/10.2307/1125137   Google Scholar

Buber, Martin. Tales of the Hasidim: The Early Masters. Translated by Olga Marx. New York: Schocken Books, 1968.
  Google Scholar

Cappa, Francesco. “Una pratica teatrale interculturale: L’immaginario orientale e il teatro povero di Grotowski.” Riflessioni e teorie 15, no. 2 (2017). https://rivistedigitali.erickson.it/educazione-interculturale/archivio/vol-15-n-2/una-pratica-teatrale-interculturale-limmaginario-orientale-e-il-teatro-povero-di-grotowski/.
  Google Scholar

Giacché, Piergiorgio. “Antropologia culturale e cultura teatrale.” Teatro e Storia 3, no. 1 (1988): 23–50. https://www.teatroestoria.it/pdf/4/p_giacche.pdf.
  Google Scholar

Grotowski, Jerzy. “Dalla compagnia teatrale a L’arte come veicolo.” In Thomas Richards, Al lavoro con Grotowski sulle azioni fisiche. Milano: Ubulibri, 1993.
  Google Scholar

Grotowski, Jerzy. “A Kind of Volcano.” Interview by Michel de Salzman. In Gurdjieff: Essays and Reflections on the Man and His Teaching, edited by Jacob Needleman et al., 87–106. New York: Continuum, 1996.
  Google Scholar

Grotowski, Jerzy. “Teatro e Rituale.” In Il Teatr Laboratorium di Jerzy Grotowski 1959–1969, a cura di Ludwik Flaszen e Carla Pollastrelli. Pontedera: Fondazione Pontedera Teatro, 2001.
  Google Scholar

Grotowski, Jerzy. Towards a Poor Theatre. Holstebro: Odin Teatrets Forlag, 1968.
  Google Scholar

Grotowski, Jerzy. Tecniche originarie dell’attore. A cura di Luisa Tinti. Roma: Università degli studi di Roma La Sapienza, 1982.
  Google Scholar

Lancellotti, Giovanni. “Recensioni, riflessioni sulla scrittura.” Il Quaderno di Nessuno. Newsletter di Saggi, Letteratura e Documentazione Teatrale 14, no. 4 (2015). https://www.teatrodinessuno.it/doc/grotowski/teatro-povero.
  Google Scholar

Meldolesi, Claudio. “Ai confini del teatro e della sociologia.” Teatro e Storia 1, no. 1 (1986): 77–151. https://www.teatroestoria.it/pdf/1/Claudio_Meldolesi_34.pdf.
  Google Scholar

Palumbo, Gioacchino. Il Teatro del Molo 2: Diario di bordo—Spettacoli, performance, film. Roma: Bonanno, 2010.
  Google Scholar

Ouspensky, P. D. In Search of the Miraculous: Fragments of an Unknown Teaching. New York: Harcourt Brace & World, 1949.
  Google Scholar

Taviani, Ferdinando, ed. Il libro dell’Odin: Il teatro-laboratorio di Eugenio Barba. Milano: Feltrinelli, 1975.
  Google Scholar


Published
2023-12-16

Cited by

Palumbo, G. and Condorelli, G. G. (2023) “Buddah Still Works— the Work on Oneself Never Ends: Essay on Grotowski”, Pamiętnik Teatralny, 72(4), pp. 33–55. doi: 10.36744/pt.1820.

Authors

Gioacchino Palumbo 
gioacchinopalumbo@gmail.com
Academy of Fine Arts of Catania Italy

Gioacchino Palumbo - Professor at the Accademia di Belle Arti di Catania, he has written and directed for both theatre and film. In 1981 he founded the Teatro del Molo 2 in Catania, where he directs and gives annual courses in acting and physical expression. He has conducted numerous theatre workshops and courses throughout Italy and Europe. Author of four books, including a collection of essays on modern theatre Pionieri del teatro del novecento: Stanislavsky, Mejerchol’d, Artaud, Grotowski (Acireale, 2012).


Authors

Giuseppe G. Condorelli 

Independent scholar, Misterbianco Italy

Giuseppe G. Condorelli - teaches Italian literature and history at a high school. He is actively involved in poetry, literary criticism and theatre. He regularly collaborates with Le Monde diplomatique. He has published two volumes of poetry: Criterio del tempo (Bologna, 2008) and N’zuppilu n’zuppilu (Catania, 2016). He lives in Misterbianco, in the province of Catania.



Statistics

Abstract views: 235
PDF downloads: 40 PDF downloads: 95


License

Copyright (c) 2023 Gioacchino Palumbo, Giuseppe G. Condorelli

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.

From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.