Edith Piaf’s Theatrical Roles
Abstract
This article presents Edith Piaf not only as one of the greatest icons of French culture in the 20th century, but also as a theatrical and film actress who had dramas and movie scenarios written specifically for her. Her acting accomplishments are impressive, even though in the minds of her fans she is still associated mostly with her singing career. The article aims at presenting Edith Piaf as a theatre actress. The productions in which Edit Piaf performed as an actress are presented from a diachronic and analytical perspective. Not only the plays written especially for Piaf by dramaturge Jean Cocteau and librettist Marcel Achard, in which she performed on stage, but also radio dramas in which she played have been taken into account. In addition, the study discusses the opinions about Piaf’s acting artistry, including those published in the French press.
Keywords:
Edith Piaf, Jean Cocteau, 20th-century French theater, theater actressReferences
Belleret, Robert. Piaf: Un mythe français. Paris: Fayard, 2013.
Google Scholar
Brierre, Jean-Dominique. Edith Piaf: Sans amour on n’est rien du tout. Tours: Presses de la Cité, 2003.
Google Scholar
Cartier, Jacqueline, et Hugues Vassal. Edith et Thérèse: La Sainte et la Pécheresse. Strasbourg: Editions du Signe, 2012.
Google Scholar
Deniot, Joëlle-Andrée. Edith Piaf: la voix, le geste, l’icône: Esquisse anthropologique. Paris: Livredart, 2012.
Google Scholar
Lonjon, Bernard. Piaf – Cocteau: La Môme et le Poète. Paris: L'Archipel, 2013.
Google Scholar
Marchois, Bernard. Edith Piaf: Opinions publiques. Paris: TF1 éditions, 1995.
Google Scholar
Marchois, Bernard. Piaf: Emportée par la foule. Paris: Vade retro, 1993.
Google Scholar
Quinonero, Frédéric. Edith Piaf: Le temps d’illuminer. Paris: Editions Carpentier, 2008.
Google Scholar
Vuillermoz, Émile. „Edith Piaf et Jacques Pills à Marigny: Un „joint-récital” néo-romantique”. In: Bernard Marchois, Piaf: Emportée par la foule, Paris: Vade retro, 1993.
Google Scholar
Statistics
Abstract views: 180PDF downloads: 55
License
Copyright (c) 2016 Mieczysław Gajos

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.